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Hamlet



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Related Resources

 Revenge in Hamlet
 Deception in Hamlet
 The Hamlet and Ophelia Subplot
 The Norway (Fortinbras) Subplot

 Hamlet: Problem Play and Revenge Tragedy
 The Elder Hamlet: The Kingship of Hamlet's Father
 Hamlet's Relationship with the Ghost
 The Significance of the Ghost in Armor

 Philological Examination Questions on Hamlet
 Quotations from Hamlet (with commentary)
 Hamlet Study Quiz (with detailed answers)
 Hamlet: Q & A

 The Significance of Ophelia's Flowers
 Ophelia and Laertes
 Mistrusted Love: Ophelia and Polonius
 Ophelia's Burial and Christian Rituals
 The Baker's Daughter: Ophelia's Nursery Rhymes

 Hamlet as National Hero
 Claudius and the Condition of Denmark
 In Secret Conference: The Meeting Between Claudius and Laertes
 The Charges Against King Claudius

 O Jephthah - Toying with Polonius
 The Death of Polonius and its Impact on Hamlet's Character
 Blank Verse and Diction in Shakespeare's Hamlet
 Hamlet's Silence
 Analysis of the Characters in Hamlet

 An Excuse for Doing Nothing: Hamlet's Delay
 Shakespeare's Fools: The Grave-Diggers in Hamlet
 Hamlet's Humor: The Wit of Shakespeare's Prince of Denmark
 All About Yorick

 Hamlet's Melancholy: The Transformation of the Prince
 Hamlet's Antic Disposition: Is Hamlet's Madness Real?
 Foul Deeds Will Rise: Hamlet and Divine Justice

 Soliloquy Analysis: O this too too... (1.2.131)
 
Soliloquy Analysis: O, what a rogue and peasant slave am I!... (2.2.555-612)
 
Soliloquy Analysis: To be, or not to be... (3.1.64-98)
 
Soliloquy Analysis: Tis now the very witching time of night... (3.2.380-91)
 
Soliloquy Analysis: Now might I do it pat... (3.3.77-100)
 
Soliloquy Analysis: How all occasions do inform against me... (4.4.35-69)

 
Divine Providence in Hamlet
 What is Tragic Irony?
 Seneca's Tragedies and the Elizabethan Drama
 Characteristics of Elizabethan Drama
 Shakespeare's Sources for Hamlet

In the Spotlight

Quote in Context

O, that this too too solid flesh would melt,
Thaw, and resolve itself into a dew!
Or that the Everlasting had not fix'd
His canon 'gainst self-slaughter! O God! God!
How weary, stale, flat and unprofitable,
Seem to me all the uses of this world!
Fie on't! ah fie! 'tis an unweeded garden,
That grows to seed; things rank and gross in nature
Possess it merely.
                                               Hamlet (1.2), Hamlet

Hamlet's passionate first soliloquy provides a striking contrast to the controlled and artificial dialogue that he must exchange with Claudius and his court. The primary function of the soliloquy is to reveal to the audience Hamlet's profound melancholia and the reasons for his despair. In a disjointed outpouring of disgust, anger, sorrow, and grief, Hamlet explains that, without exception, everything in his world is either futile or contemptible. His speech is saturated with suggestions of rot and corruption, as seen in the basic usage of words like "rank" (138) and "gross" (138), and in the metaphor associating the world with "an unweeded garden" (137). Read on...

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Points to Ponder

Give me that man
That is not passion's slave, and I will wear him
In my heart's core, ay, in my heart of heart
As I do thee.-- Something too much of this. --
There is a play to-night before the king;
One scene of it comes near the circumstance
Which I have told thee of my father's death.
                                              Hamlet (3.2), Hamlet to Horatio

"Shakespeare has introduced these traveling players with a double purpose. The person who recites the death of Priam with such feeling, in the first place, makes a deep impression on the prince himself; he sharpens the conscience of the wavering youth: and, accordingly, this scene becomes a prelude to that other, where, in the second place, the little play produces such effect upon the King. Hamlet sees himself reproved and put to shame by the player, who feels so deep a sympathy in foreign and fictitious woes; and the thought of making an experiment upon the conscience of his stepfather is in consequence suggested to him." [Goethe. Wilhelm Meister's Critique of Hamlet]

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Hamlet History

Henry Irving as Hamlet. Illus. W. G. Mein, 1900. The first recorded production of Hamlet was by the Chamberlain's Men in 1600 or 1601, so it is likely that Shakespeare composed the play in early 1600. According to contemporary references, Hamlet became an instant hit, and the great Shakespearean actor, Richard Burbage, received much acclaim in the lead role. Hamlet's popularity grew steadily until the closing of the theatres by the puritanical government (1642-1660). During that time it was performed as an abridged playlet at taverns and inns, along with all the other great dramas that suffered at the hands of Oliver Cromwell, Lord Protector of England. After the theatres re-opened, Hamlet was brought back to the stage by author and entrepreneur, William Davenant, and the play's popularity has been constant ever since.

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