Calumnious Strokes: The Meeting Between Ophelia and Laertes
From The Riddles of Hamlet by Simon Augustine Blackmore. Boston, Stratford & Co.
The third scene interrupts the action of the drama by a skillful episode, in which the Poet introduces us to several
important characters. Through them we are made acquainted with Hamlet's relation to Ophelia, and, moreover, given
another glimpse of life at court as reflected in the family of Polonius. The characters, all drawn on a vastly lower scale
than Hamlet's, are superficial and commonplace. There is the minister of state, whose mental equipment makes him a
politician rather than a statesman, and his son, a courtier and type of the gilded youth who frequented the royal court in
the days of Shakespeare. Both appear incredulous, not only of Hamlet's purity and honor, but even mistrust Ophelia herself. Hence, they readily attaint his name and blast her love, and thus entangle themselves unto final ruin in the web of
If the brotherly affection of Laertes, though natural and
common, shows him at his best in the present scene, the Poet,
under other and later circumstances, portrays the baseness of
his character. The Laertes of the modern stage is not always
the Laertes of the drama. In the tragedy, he seems a light-minded, frivolous youth, without noble principles and serious
purposes. Such a man could not understand the nobility of Hamlet's character, so rich in highly intellectual and moral
attainments; and, therefore, by an error not infrequent to humankind, he measures others by his own individual low
standard. In his lecture to Ophelia, he insists that the Prince is trifling with her heart; that his love, but the first
glow of the springtide of life, is not serious and will surely die with his young years. But Ophelia, who has had ample
means of knowing Hamlet better than her brother, judges differently, and, by an unwillingness to discuss the delicate
subject, laconically implies her doubts of the correctness of
The doubt expressed by Ophelia causes her brother to
maintain his position in a lengthy speech, in which he dishonorably insinuates that if the Prince really do love her, it
is with an ignoble, an illicit love, since he is not free to marry her. His will is not his own, but subject to the powers that
rule; and, therefore, not until his words of love are sanctioned by the "voice of Denmark," must she listen to "his
songs." Accordingly, he urges her on the plea of honor, to
be wary: her "safety lies in fear."
In the passions of youth
are blind traitorous impulses which often revolt against reason and the power of self-restraint. While the words of
Laertes seem commendable, both because they are prompted by affection for his sister, and because the prudence and fear
which they urge, are needed safeguards for virtue; they are, nevertheless, reprehensible in as far as they express a rash
judgment of Hamlet's character. It is true that, according to an unwritten law, the crown prince could not marry whom
he would, nor espouse one beneath his princely station, without the consent of the governing power. But this custom was
clearly ignored in Hamlet's case.
His courtship of Ophelia, a lady-in-waiting on the Queen, was no secret at court. Gertrude, who had made her a special favorite, knew well the
mutual relation of the young lovers, and not only encouraged it, but even, as she affirms, looked forward to its consummation in lawful marriage.
That Hamlet's love for Ophelia was sincere and honest,
is known from the Poet's portrayal of his highly sensitive
moral nature. Throughout the drama he appears habitually
enamored of honesty and virtue, and repelled by deceit, vice,
and everything dishonorable. Ophelia was herself convinced
that his love was sincere and honorable, as is shown by her
words to her father; and Hamlet himself gives undoubted
proofs on numerous occasions, and above all, when, in a later
public view, he outbraves Laertes in his love for her.
In the consciousness of her own innocence and in ignorance of the evils of the world, Ophelia listened patiently to
her brother's words of caution and of prudence. They seemed
founded on his own experience, and while partly admiring
their worldly wisdom, she felt some suspicion of their application to Laertes himself. Accordingly, after the general remark that she will make his counsel the guardian of her heart, she forthwith proceeds to lecture him in turn. She
knew well her brother's weaknesses and instability of character. More than once she had listened with deep interest to
the glowing tales of his gay life in the brilliant southern
She had drawn her own secret conclusions, and now
under strong suspicion that his counsels and his cautions were
more applicable to himself, she naively urges that, while
pointing out to her "the steep and thorny way to heaven," he should himself be true to his own preachment, and not,
"like a puffed and reckless libertine," all heedless of his own
spiritual weal, "tread the broad primrose path of dalliance,"
"the primrose way to the everlasting bonfire." After listening with impatience to his sister's lecture, Laertes disregards
her words, and uttering a curt reply, which displays a confidence that is born of self-sufficiency, he hastens to depart.
At the same moment Polonius enters unexpectedly. The son deftly meets with a flattering lie his father's manifest surprise at his belated presence: he had tarried to take a second fond leave of his aged sire, and to beg a second blessing.
How to cite this article:
Blackmore, Simon Augustine. The Riddles of Hamlet. Boston: Stratford & company, 1917. Shakespeare Online. 2 Aug. 2011. (date when you accessed the information) < http://www.shakespeare-online.com/plays/hamlet/opheliaandlaertes.html >.