| ACT II SCENE I | Milan. The DUKE's palace. | |
| | Enter VALENTINE and SPEED | |
| SPEED | Sir, your glove. | |
| VALENTINE | Not mine; my gloves are on. | |
| SPEED | Why, then, this may be yours, for this is but one. | |
| VALENTINE | Ha! let me see: ay, give it me, it's mine: | 5 |
| | Sweet ornament that decks a thing divine! | |
| | Ah, Silvia, Silvia! | |
| SPEED | Madam Silvia! Madam Silvia! | |
| VALENTINE | How now, sirrah? | |
| SPEED | She is not within hearing, sir. | 10 |
| VALENTINE | Why, sir, who bade you call her? | |
| SPEED | Your worship, sir; or else I mistook. | |
| VALENTINE | Well, you'll still be too forward. | |
| SPEED | And yet I was last chidden for being too slow. | |
| VALENTINE | Go to, sir: tell me, do you know Madam Silvia? | 15 |
| SPEED | She that your worship loves? | |
| VALENTINE | Why, how know you that I am in love? | |
| SPEED | Marry, by these special marks: first, you have | |
| | learned, like Sir Proteus, to wreathe your arms, | |
| | like a malecontent; to relish a love-song, like a | 20 |
| | robin-redbreast; to walk alone, like one that had | |
| | the pestilence; to sigh, like a school-boy that had | |
| | lost his A B C; to weep, like a young wench that had | |
| | buried her grandam; to fast, like one that takes | |
| | diet; to watch like one that fears robbing; to | 25 |
| | speak puling, like a beggar at Hallowmas. You were | |
| | wont, when you laughed, to crow like a cock; when you | |
| | walked, to walk like one of the lions; when you | |
| | fasted, it was presently after dinner; when you | |
| | looked sadly, it was for want of money: and now you | 30 |
| | are metamorphosed with a mistress, that, when I look | |
| | on you, I can hardly think you my master. | |
| VALENTINE | Are all these things perceived in me? | |
| SPEED | They are all perceived without ye. | |
| VALENTINE | Without me? they cannot. | 35 |
| SPEED | Without you? nay, that's certain, for, without you | |
| | were so simple, none else would: but you are so | |
| | without these follies, that these follies are within | |
| | you and shine through you like the water in an | |
| | urinal, that not an eye that sees you but is a | 40 |
| | physician to comment on your malady. | |
| VALENTINE | But tell me, dost thou know my lady Silvia? | |
| SPEED | She that you gaze on so as she sits at supper? | |
| VALENTINE | Hast thou observed that? even she, I mean. | |
| SPEED | Why, sir, I know her not. | 45 |
| VALENTINE | Dost thou know her by my gazing on her, and yet | |
| | knowest her not? | |
| SPEED | Is she not hard-favoured, sir? | |
| VALENTINE | Not so fair, boy, as well-favoured. | |
| SPEED | Sir, I know that well enough. | 50 |
| VALENTINE | What dost thou know? | |
| SPEED | That she is not so fair as, of you, well-favoured. | |
| VALENTINE | I mean that her beauty is exquisite, but her favour infinite. | |
| SPEED | That's because the one is painted and the other out | |
| | of all count. | 55 |
| VALENTINE | How painted? and how out of count? | |
| SPEED | Marry, sir, so painted, to make her fair, that no | |
| | man counts of her beauty. | |
| VALENTINE | How esteemest thou me? I account of her beauty. | |
| SPEED | You never saw her since she was deformed. | 60 |
| VALENTINE | How long hath she been deformed? | |
| SPEED | Ever since you loved her. | |
| VALENTINE | I have loved her ever since I saw her; and still I | |
| | see her beautiful. | |
| SPEED | If you love her, you cannot see her. | 65 |
| VALENTINE | Why? | |
| SPEED | Because Love is blind. O, that you had mine eyes; | |
| | or your own eyes had the lights they were wont to | |
| | have when you chid at Sir Proteus for going | |
| | ungartered! | 70 |
| VALENTINE | What should I see then? | |
| SPEED | Your own present folly and her passing deformity: | |
| | for he, being in love, could not see to garter his | |
| | hose, and you, being in love, cannot see to put on your hose. | |
| VALENTINE | Belike, boy, then, you are in love; for last | 75 |
| | morning you could not see to wipe my shoes. | |
| SPEED | True, sir; I was in love with my bed: I thank you, | |
| | you swinged me for my love, which makes me the | |
| | bolder to chide you for yours. | |
| VALENTINE | In conclusion, I stand affected to her. | 80 |
| SPEED | I would you were set, so your affection would cease. | |
| VALENTINE | Last night she enjoined me to write some lines to | |
| | one she loves. | |
| SPEED | And have you? | |
| VALENTINE | I have. | 85 |
| SPEED | Are they not lamely writ? | |
| VALENTINE | No, boy, but as well as I can do them. Peace! | |
| | here she comes. | |
| SPEED | Aside | |
| | Now will he interpret to her. | |
| | Enter SILVIA | |
| VALENTINE | Madam and mistress, a thousand good-morrows. | 90 |
| SPEED | Aside | |
| SILVIA | Sir Valentine and servant, to you two thousand. | |
| SPEED | Aside | |
| VALENTINE | As you enjoin'd me, I have writ your letter | |
| | Unto the secret nameless friend of yours; | |
| | Which I was much unwilling to proceed in | |
| | But for my duty to your ladyship. | 95 |
| SILVIA | I thank you gentle servant: 'tis very clerkly done. | |
| VALENTINE | Now trust me, madam, it came hardly off; | |
| | For being ignorant to whom it goes | |
| | I writ at random, very doubtfully. | |
| SILVIA | Perchance you think too much of so much pains? | 100 |
| VALENTINE | No, madam; so it stead you, I will write | |
| | Please you command, a thousand times as much; And yet-- | |
| SILVIA | A pretty period! Well, I guess the sequel; | |
| | And yet I will not name it; and yet I care not; | |
| | And yet take this again; and yet I thank you, | 105 |
| | Meaning henceforth to trouble you no more. | |
| SPEED | Aside | |
| VALENTINE | What means your ladyship? do you not like it? | |
| SILVIA | Yes, yes; the lines are very quaintly writ; | |
| | But since unwillingly, take them again. | |
| | Nay, take them. | 110 |
| VALENTINE | Madam, they are for you. | |
| SILVIA | Ay, ay: you writ them, sir, at my request; | |
| | But I will none of them; they are for you; | |
| | I would have had them writ more movingly. | |
| VALENTINE | Please you, I'll write your ladyship another. | 115 |
| SILVIA | And when it's writ, for my sake read it over, | |
| | And if it please you, so; if not, why, so. | |
| VALENTINE | If it please me, madam, what then? | |
| SILVIA | Why, if it please you, take it for your labour: | |
| | And so, good morrow, servant. | 120 |
| | Exit | |
| SPEED | O jest unseen, inscrutable, invisible, | |
| | As a nose on a man's face, or a weathercock on a steeple! | |
| | My master sues to her, and she hath | |
| | taught her suitor, | |
| | He being her pupil, to become her tutor. | 125 |
| | O excellent device! was there ever heard a better, | |
| | That my master, being scribe, to himself should write | |
| | the letter? | |
| VALENTINE | How now, sir? what are you reasoning with yourself? | |
| SPEED | Nay, I was rhyming: 'tis you that have the reason. | 130 |
| VALENTINE | To do what? | |
| SPEED | To be a spokesman for Madam Silvia. | |
| VALENTINE | To whom? | |
| SPEED | To yourself: why, she wooes you by a figure. | |
| VALENTINE | What figure? | 135 |
| SPEED | By a letter, I should say. | |
| VALENTINE | Why, she hath not writ to me? | |
| SPEED | What need she, when she hath made you write to | |
| | yourself? Why, do you not perceive the jest? | |
| VALENTINE | No, believe me. | 140 |
| SPEED | No believing you, indeed, sir. But did you perceive | |
| | her earnest? | |
| VALENTINE | She gave me none, except an angry word. | |
| SPEED | Why, she hath given you a letter. | |
| VALENTINE | That's the letter I writ to her friend. | 145 |
| SPEED | And that letter hath she delivered, and there an end. | |
| VALENTINE | I would it were no worse. | |
| SPEED | I'll warrant you, 'tis as well: | |
| | For often have you writ to her, and she, in modesty, | |
| | Or else for want of idle time, could not again reply; | 150 |
| | Or fearing else some messenger that might her mind discover, | |
| | Herself hath taught her love himself to write unto her lover. | |
| | All this I speak in print, for in print I found it. | |
| | Why muse you, sir? 'tis dinner-time. | |
| VALENTINE | I have dined. | 155 |
| SPEED | Ay, but hearken, sir; though the chameleon Love can | |
| | feed on the air, I am one that am nourished by my | |
| | victuals, and would fain have meat. O, be not like | |
| | your mistress; be moved, be moved. | |
| | Exeunt | |