| ACT II SCENE IV | A street. | |
| | Enter BENVOLIO and MERCUTIO. | |
| MERCUTIO | Where the devil should this Romeo be? | |
| | Came he not home to-night? | |
| BENVOLIO | Not to his father's; I spoke with his man. | |
| MERCUTIO | Ah, that same pale hard-hearted wench, that Rosaline. | 5 |
| | Torments him so, that he will sure run mad. | |
| BENVOLIO | Tybalt, the kinsman of old Capulet, | |
| | Hath sent a letter to his father's house. | |
| MERCUTIO | A challenge, on my life. | |
| BENVOLIO | Romeo will answer it. | 10 |
| MERCUTIO | Any man that can write may answer a letter. | |
| BENVOLIO | Nay, he will answer the letter's master, how he | |
| | dares, being dared. | |
| MERCUTIO | Alas poor Romeo! he is already dead; stabbed with a | |
| | white wench's black eye; shot through the ear with a | 15 |
| | love-song; the very pin of his heart cleft with the | |
| | blind bow-boy's butt-shaft: and is he a man to | |
| | encounter Tybalt? | |
| BENVOLIO | Why, what is Tybalt? | |
| MERCUTIO | More than prince of cats, I can tell you. O, he is | 20 |
| | the courageous captain of compliments. He fights as | |
| | you sing prick-song, keeps time, distance, and | |
| | proportion; rests me his minim rest, one, two, and | |
| | the third in your bosom: the very butcher of a silk | |
| | button, a duellist, a duellist; a gentleman of the | 25 |
| | very first house, of the first and second cause: | |
| | ah, the immortal passado! the punto reverso! the | |
| | hai! | |
| BENVOLIO | The what? | |
| MERCUTIO | The pox of such antic, lisping, affecting | 30 |
| | fantasticoes; these new tuners of accents! 'By Jesu, | |
| | a very good blade! a very tall man! a very good | |
| | whore!' Why, is not this a lamentable thing, | |
| | grandsire, that we should be thus afflicted with | |
| | these strange flies, these fashion-mongers, these | 35 |
| | perdona-mi's, who stand so much on the new form, | |
| | that they cannot at ease on the old bench? O, their | |
| | bones, their bones! | |
| | Enter ROMEO. | |
| BENVOLIO | Here comes Romeo, here comes Romeo. | |
| MERCUTIO | Without his roe, like a dried herring: flesh, flesh, | 40 |
| | how art thou fishified! Now is he for the numbers | |
| | that Petrarch flowed in: Laura to his lady was but a | |
| | kitchen-wench; marry, she had a better love to | |
| | be-rhyme her; Dido a dowdy; Cleopatra a gipsy; | |
| | Helen and Hero hildings and harlots; Thisbe a grey | 45 |
| | eye or so, but not to the purpose. Signior | |
| | Romeo, bon jour! there's a French salutation | |
| | to your French slop. You gave us the counterfeit | |
| | fairly last night. | |
| ROMEO | Good morrow to you both. What counterfeit did I give you? | 50 |
| MERCUTIO | The ship, sir, the slip; can you not conceive? | |
| ROMEO | Pardon, good Mercutio, my business was great; and in | |
| | such a case as mine a man may strain courtesy. | |
| MERCUTIO | That's as much as to say, such a case as yours | |
| | constrains a man to bow in the hams. | 55 |
| ROMEO | Meaning, to court'sy. | |
| MERCUTIO | Thou hast most kindly hit it. | |
| ROMEO | A most courteous exposition. | |
| MERCUTIO | Nay, I am the very pink of courtesy. | |
| ROMEO | Pink for flower. | 60 |
| MERCUTIO | Right. | |
| ROMEO | Why, then is my pump well flowered. | |
| MERCUTIO | Well said: follow me this jest now till thou hast | |
| | worn out thy pump, that when the single sole of it | |
| | is worn, the jest may remain after the wearing sole singular. | 65 |
| ROMEO | O single-soled jest, solely singular for the | |
| | singleness. | |
| MERCUTIO | Come between us, good Benvolio; my wits faint. | |
| ROMEO | Switch and spurs, switch and spurs; or I'll cry a match. | |
| MERCUTIO | Nay, if thy wits run the wild-goose chase, I have | 70 |
| | done, for thou hast more of the wild-goose in one of | |
| |
thy wits than, I am sure, I have in my whole five: | |
| | was I with you there for the goose? | |
| ROMEO | Thou wast never with me for any thing when thou wast | |
| | not there for the goose. | 75 |
| MERCUTIO | I will bite thee by the ear for that jest. | |
| ROMEO | Nay, good goose, bite not. | |
| MERCUTIO | Thy wit is a very bitter sweeting; it is a most | |
| | sharp sauce. | |
| ROMEO | And is it not well served in to a sweet goose? | 80 |
| MERCUTIO | O here's a wit of cheveril, that stretches from an | |
| | inch narrow to an ell broad! | |
| ROMEO | I stretch it out for that word 'broad;' which added | |
| | to the goose, proves thee far and wide a broad goose. | |
| MERCUTIO | Why, is not this better now than groaning for love? | 85 |
| | now art thou sociable, now art thou Romeo; now art | |
| | thou what thou art, by art as well as by nature: | |
| | for this drivelling love is like a great natural, | |
| | that runs lolling up and down to hide his bauble in a hole. | |
| BENVOLIO | Stop there, stop there. | 90 |
| MERCUTIO | Thou desirest me to stop in my tale against the hair. | |
| BENVOLIO | Thou wouldst else have made thy tale large. | |
| MERCUTIO | O, thou art deceived; I would have made it short: | |
| | for I was come to the whole depth of my tale; and | |
| | meant, indeed, to occupy the argument no longer. | 95 |
| ROMEO | Here's goodly gear! | |
| | Enter Nurse and PETER. | |
| MERCUTIO | A sail, a sail! | |
| BENVOLIO | Two, two; a shirt and a smock. | |
| Nurse | Peter! | |
| PETER | Anon! | 100 |
| Nurse | My fan, Peter. | |
| MERCUTIO | Good Peter, to hide her face; for her fan's the | |
| | fairer face. | |
| Nurse | God ye good morrow, gentlemen. | |
| MERCUTIO | God ye good den, fair gentlewoman. | 105 |
| Nurse | Is it good den? | |
| MERCUTIO | 'Tis no less, I tell you, for the bawdy hand of the | |
| | dial is now upon the prick of noon. | |
| Nurse | Out upon you! what a man are you! | |
| ROMEO | One, gentlewoman, that God hath made for himself to | 110 |
| | mar. | |
| Nurse | By my troth, it is well said; 'for himself to mar,' | |
| | quoth a'? Gentlemen, can any of you tell me where I | |
| | may find the young Romeo? | |
| ROMEO | I can tell you; but young Romeo will be older when | 115 |
| | you have found him than he was when you sought him: | |
| | I am the youngest of that name, for fault of a worse. | |
| Nurse | You say well. | |
| MERCUTIO | Yea, is the worst well? very well took, i' faith; | |
| | wisely, wisely. | 120 |
| Nurse | if you be he, sir, I desire some confidence with | |
| | you. | |
| BENVOLIO | She will indite him to some supper. | |
| MERCUTIO | A bawd, a bawd, a bawd! so ho! | |
| ROMEO | What hast thou found? | 125 |
| MERCUTIO | No hare, sir; unless a hare, sir, in a lenten pie, | |
| | that is something stale and hoar ere it be spent. | |
| | Sings | |
| | An old hare hoar, | |
| | And an old hare hoar, | |
| | Is very good meat in lent | 130 |
| | But a hare that is hoar | |
| | Is too much for a score, | |
| | When it hoars ere it be spent. | |
| | Romeo, will you come to your father's? we'll | |
| | to dinner, thither. | 135 |
| ROMEO | I will follow you. | |
| MERCUTIO | Farewell, ancient lady; farewell, | |
| | Singing | |
| | 'lady, lady, lady.' | |
| | Exeunt MERCUTIO and BENVOLIO. | |
| Nurse | Marry, farewell! I pray you, sir, what saucy | |
| | merchant was this, that was so full of his ropery? | 140 |
| ROMEO | A gentleman, nurse, that loves to hear himself talk, | |
| | and will speak more in a minute than he will stand | |
| | to in a month. | |
| Nurse | An a' speak any thing against me, I'll take him | |
| | down, an a' were lustier than he is, and twenty such | 145 |
| | Jacks; and if I cannot, I'll find those that shall. | |
| | Scurvy knave! I am none of his flirt-gills; I am | |
| | none of his skains-mates. And thou must stand by | |
| | too, and suffer every knave to use me at his pleasure? | |
| PETER | I saw no man use you a pleasure; if I had, my weapon | 150 |
| | should quickly have been out, I warrant you: I dare | |
| | draw as soon as another man, if I see occasion in a | |
| | good quarrel, and the law on my side. | |
| Nurse | Now, afore God, I am so vexed, that every part about | |
| | me quivers. Scurvy knave! Pray you, sir, a word: | 155 |
| | and as I told you, my young lady bade me inquire you | |
| | out; what she bade me say, I will keep to myself: | |
| | but first let me tell ye, if ye should lead her into | |
| | a fool's paradise, as they say, it were a very gross | |
| | kind of behavior, as they say: for the gentlewoman | 160 |
| | is young; and, therefore, if you should deal double | |
| | with her, truly it were an ill thing to be offered | |
| | to any gentlewoman, and very weak dealing. | |
| ROMEO | Nurse, commend me to thy lady and mistress. I | |
| | protest unto thee-- | 165 |
| Nurse | Good heart, and, i' faith, I will tell her as much: | |
| | Lord, Lord, she will be a joyful woman. | |
| ROMEO | What wilt thou tell her, nurse? thou dost not mark me. | |
| Nurse | I will tell her, sir, that you do protest; which, as | |
| | I take it, is a gentlemanlike offer. | 170 |
| ROMEO | Bid her devise | |
| | Some means to come to shrift this afternoon; | |
| | And there she shall at Friar Laurence' cell | |
| | Be shrived and married. Here is for thy pains. | |
| Nurse | No truly sir; not a penny. | 175 |
| ROMEO | Go to; I say you shall. | |
| Nurse | This afternoon, sir? well, she shall be there. | |
| ROMEO | And stay, good nurse, behind the abbey wall: | |
| | Within this hour my man shall be with thee | |
| | And bring thee cords made like a tackled stair; | 180 |
| | Which to the high top-gallant of my joy | |
| | Must be my convoy in the secret night. | |
| | Farewell; be trusty, and I'll quit thy pains: | |
| | Farewell; commend me to thy mistress. | |
| Nurse | Now God in heaven bless thee! Hark you, sir. | 185 |
| ROMEO | What say'st thou, my dear nurse? | |
| Nurse | Is your man secret? Did you ne'er hear say, | |
| | Two may keep counsel, putting one away? | |
| ROMEO | I warrant thee, my man's as true as steel. | |
| NURSE | Well, sir; my mistress is the sweetest lady--Lord, | 190 |
| | Lord! when 'twas a little prating thing:--O, there | |
| | is a nobleman in town, one Paris, that would fain | |
| | lay knife aboard; but she, good soul, had as lief | |
| | see a toad, a very toad, as see him. I anger her | |
| | sometimes and tell her that Paris is the properer | 195 |
| | man; but, I'll warrant you, when I say so, she looks | |
| | as pale as any clout in the versal world. Doth not | |
| | rosemary and Romeo begin both with a letter? | |
| ROMEO | Ay, nurse; what of that? both with an R. | |
| Nurse | Ah. mocker! that's the dog's name; R is for | 200 |
| | the--No; I know it begins with some other | |
| | letter:--and she hath the prettiest sententious of | |
| | it, of you and rosemary, that it would do you good | |
| | to hear it. | |
| ROMEO | Commend me to thy lady. | 205 |
| Nurse | Ay, a thousand times. | |
| | Exit Romeo. | |
| | Peter! | |
| PETER | Anon! | |
| Nurse | Peter, take my fan, and go before and apace. | |
| | Exeunt | |