| ACT V SCENE I | Cyprus. A street. | |
| | Enter IAGO and RODERIGO | |
| IAGO | Here, stand behind this bulk; straight will he come: | |
| | Wear thy good rapier bare, and put it home: | |
| | Quick, quick; fear nothing; I'll be at thy elbow: | |
| | It makes us, or it mars us; think on that, | 5 |
| | And fix most firm thy resolution. | |
| RODERIGO | Be near at hand; I may miscarry in't. | |
| IAGO | Here, at thy hand: be bold, and take thy stand. | |
| | Retires | |
| RODERIGO | I have no great devotion to the deed; | |
| | And yet he hath given me satisfying reasons: | 10 |
| | 'Tis but a man gone. Forth, my sword: he dies. | |
| IAGO | I have rubb'd this young quat almost to the sense, | |
| | And he grows angry. Now, whether he kill Cassio, | |
| | Or Cassio him, or each do kill the other, | |
| | Every way makes my gain: live Roderigo, | 15 |
| | He calls me to a restitution large | |
| | Of gold and jewels that I bobb'd from him, | |
| | As gifts to Desdemona; | |
| | It must not be: if Cassio do remain, | |
| | He hath a daily beauty in his life | 20 |
| | That makes me ugly; and, besides, the Moor | |
| | May unfold me to him; there stand I in much peril: | |
| | No, he must die. But so: I hear him coming. | |
| | Enter CASSIO | |
| RODERIGO | I know his gait, 'tis he.--Villain, thou diest! | |
| | Makes a pass at CASSIO | |
| CASSIO | That thrust had been mine enemy indeed, | 25 |
| | But that my coat is better than thou know'st | |
| | I will make proof of thine. | |
| | Draws, and wounds RODERIGO | |
| RODERIGO | O, I am slain! | |
| | IAGO from behind wounds CASSIO in the leg, and exit | |
| CASSIO | I am maim'd for ever. Help, ho! murder! murder! | |
| | Falls | |
| | Enter OTHELLO | |
| OTHELLO | The voice of Cassio: Iago keeps his word. | 30 |
| RODERIGO | O, villain that I am! | |
| OTHELLO | It is even so. | |
| CASSIO | O, help, ho! light! a surgeon! | |
| OTHELLO | 'Tis he:--O brave Iago, honest and just, | |
| | That hast such noble sense of thy friend's wrong! | 35 |
| | Thou teachest me. Minion, your dear lies dead, | |
| | And your unblest fate hies: strumpet, I come. | |
| | Forth of my heart those charms, thine eyes, are blotted; | |
| | Thy bed, lust-stain'd, shall with lust's blood be spotted. | |
| | Exit | |
| | Enter LODOVICO and GRATIANO | |
| CASSIO | What, ho! no watch? no passage? murder! murder! | 40 |
| GRATIANO | 'Tis some mischance; the cry is very direful. | |
| CASSIO | O, help! | |
| LODOVICO | Hark! | |
| RODERIGO | O wretched villain! | |
| LODOVICO | Two or three groan: it is a heavy night: | 45 |
| | These may be counterfeits: let's think't unsafe | |
| | To come in to the cry without more help. | |
| RODERIGO | Nobody come? then shall I bleed to death. | |
| LODOVICO | Hark! | |
| | Re-enter IAGO, with a light | |
| GRATIANO | Here's one comes in his shirt, with light and weapons. | 50 |
| IAGO | Who's there? whose noise is this that ones on murder? | |
| LODOVICO | We do not know. | |
| IAGO | Did not you hear a cry? | |
| CASSIO | Here, here! for heaven's sake, help me! | |
| IAGO | What's the matter? | 55 |
| GRATIANO | This is Othello's ancient, as I take it. | |
| LODOVICO | The same indeed; a very valiant fellow. | |
| IAGO | What are you here that cry so grievously? | |
| CASSIO | Iago? O, I am spoil'd, undone by villains! | |
| | Give me some help. | 60 |
| IAGO | O me, lieutenant! what villains have done this? | |
| CASSIO | I think that one of them is hereabout, | |
| | And cannot make away. | |
| IAGO | O treacherous villains! | |
| | What are you there? come in, and give some help. | 65 |
| | To LODOVICO and GRATIANO | |
| RODERIGO | O, help me here! | |
| CASSIO | That's one of them. | |
| IAGO | O murderous slave! O villain! | |
| | Stabs RODERIGO | |
| RODERIGO | O damn'd Iago! O inhuman dog! | |
| IAGO | Kill men i' the dark!--Where be these bloody thieves?-- | 70 |
| | How silent is this town!--Ho! murder! murder!-- | |
| | What may you be? are you of good or evil? | |
| LODOVICO | As you shall prove us, praise us. | |
| IAGO | Signior Lodovico? | |
| LODOVICO | He, sir. | 75 |
| IAGO | I cry you mercy. Here's Cassio hurt by villains. | |
| GRATIANO | Cassio! | |
| IAGO | How is't, brother! | |
| CASSIO | My leg is cut in two. | |
| IAGO | Marry, heaven forbid! | 80 |
| | Light, gentlemen; I'll bind it with my shirt. | |
| | Enter BIANCA | |
| BIANCA | What is the matter, ho? who is't that cried? | |
| IAGO | Who is't that cried! | |
| BIANCA | O my dear Cassio! my sweet Cassio! O Cassio, | |
| | Cassio, Cassio! | 85 |
| IAGO | O notable strumpet! Cassio, may you suspect | |
| | Who they should be that have thus many led you? | |
| CASSIO | No. | |
| GRATIANO | I am to find you thus: I have been to seek you. | |
| IAGO | Lend me a garter. So. O, for a chair, | 90 |
| | To bear him easily hence! | |
| BIANCA | Alas, he faints! O Cassio, Cassio, Cassio! | |
| IAGO | Gentlemen all, I do suspect this trash | |
| | To be a party in this injury. | |
| | Patience awhile, good Cassio. Come, come; | 95 |
| | Lend me a light. Know we this face or no? | |
| | Alas my friend and my dear countryman | |
| | Roderigo! no:--yes, sure: O heaven! Roderigo. | |
| GRATIANO | What, of Venice? | |
| IAGO | Even he, sir; did you know him? | 100 |
| GRATIANO | Know him! ay. | |
| IAGO | Signior Gratiano? I cry you gentle pardon; | |
| | These bloody accidents must excuse my manners, | |
| | That so neglected you. | |
| GRATIANO | I am glad to see you. | 105 |
| IAGO | How do you, Cassio? O, a chair, a chair! | |
| GRATIANO | Roderigo! | |
| IAGO | He, he 'tis he. | |
| | A chair brought in | |
| | O, that's well said; the chair! | |
| GRATIANO | Some good man bear him carefully from hence; | 110 |
| | I'll fetch the general's surgeon. | |
| | To BIANCA | |
| | For you, mistress, | |
| | Save you your labour. He that lies slain | |
| | here, Cassio, | |
| | Was my dear friend: what malice was between you? | 115 |
| CASSIO | None in the world; nor do I know the man. | |
| IAGO | To BIANCA | |
| | o' the air. | |
| | CASSIO and RODERIGO are borne off | |
| | Stay you, good gentlemen. Look you pale, mistress? | |
| | Do you perceive the gastness of her eye? | |
| | Nay, if you stare, we shall hear more anon. | 120 |
| | Behold her well; I pray you, look upon her: | |
| | Do you see, gentlemen? nay, guiltiness will speak, | |
| | Though tongues were out of use. | |
| | Enter EMILIA | |
| EMILIA | 'Las, what's the matter? what's the matter, husband? | |
| IAGO | Cassio hath here been set on in the dark | 125 |
| | By Roderigo and fellows that are scaped: | |
| | He's almost slain, and Roderigo dead. | |
| EMILIA | Alas, good gentleman! alas, good Cassio! | |
| IAGO | This is the fruit of whoring. Prithee, Emilia, | |
| | Go know of Cassio where he supp'd to-night. | 130 |
| | To BIANCA | |
| | What, do you shake at that? | |
| BIANCA | He supp'd at my house; but I therefore shake not. | |
| IAGO | O, did he so? I charge you, go with me. | |
| EMILIA | Fie, fie upon thee, strumpet! | |
| BIANCA | I am no strumpet; but of life as honest | 135 |
| | As you that thus abuse me. | |
| EMILIA | As I! foh! fie upon thee! | |
| IAGO | Kind gentlemen, let's go see poor Cassio dress'd. | |
| | Come, mistress, you must tell's another tale. | |
| | Emilia run you to the citadel, | 140 |
| | And tell my lord and lady what hath happ'd. | |
| | Will you go on? I pray. | |
| | Aside | |
| | This is the night | |
| | That either makes me or fordoes me quite. | |
| | Exeunt | |