From Halleck's New English Literature by Reuben Post Halleck. New York: American Book Company, 1913.
We may make another classification from a different point of view, according to the period of his development at the time of writing special
plays. In order to study his growth and changing ideals, it will assist us to divide his work into four periods.
(1) There was the sanguine period, showing the exuberance of youthful love and imagination. Among the plays
that are typical of these years are The Comedy of Errors, A
Midsummer Night's Dream, Romeo and Juliet, Richard II and Richard III. These were probably all composed before 1595.
(2) The second period, from 1595 to 1601, shows progress in dramatic art. There is less exaggeration, more
real power, and a deeper insight into human nature.
There appears in his philosophy a vein of sadness, such as we find in the sayings of Jaques in As You Like It, and
more appreciation of the growth of character, typified by
his treatment of Orlando and Adam in the same play.
Among the plays of this period are The Merchant of
Venice, Henry IV, Henry V, and As You Like It.
(3) We may characterize the third period, from 1601 to
1608, as one in which he felt that the time was out of
joint, that life was a fitful fever. His father died in
1601, after great disappointments. His best friends suffered what he calls, in Hamlet, "the slings and arrows
of outrageous fortune." In 1601 Elizabeth executed the
Earl of Essex for treason, and on the same charge threw
the Earl of Southampton into the Tower. Even Shakespeare himself may have been suspected. The great plays
of this period are tragedies, among which we may instance Julius Caesar*, Hamlet, Othello, Macbeth, and King Lear.
(4) The plays of his fourth period, 1608-1613, are
remarkable for calm strength and sweetness. The fierceness of Othello and Macbeth is left behind. In 1608
Shakespeare's mother died. Her death and the vivid recollection of her kindness and love may have been strong
factors in causing him to look on life with kindlier eyes.
The greatest plays of this period are Cymbeline, The Winter's Tale, and The Tempest.
* Note: Halleck includes Julius Caesar in Shakespeare's third period. However, Thomas Platter recorded in his Diary a performance of the play on September 21, 1599, and most critics believe the play was written early that same year.
How to cite this article:
Halleck, Reuben Post. Halleck's New English Literature. New York: American Book Company, 1913. Shakespeare Online. 20 Feb. 2011. (date when you accessed the information) < http://www.shakespeare-online.com/biography/fourperiods.html >.