| ACT V SCENE I | Before PROSPERO'S cell. | |
| | Enter PROSPERO in his magic robes, and ARIEL | |
| PROSPERO | Now does my project gather to a head: | |
| | My charms crack not; my spirits obey; and time | |
| | Goes upright with his carriage. How's the day? | |
| ARIEL | On the sixth hour; at which time, my lord, | 5 |
| | You said our work should cease. | |
| PROSPERO | I did say so, | |
| | When first I raised the tempest. Say, my spirit, | |
| | How fares the king and's followers? | |
| ARIEL | Confined together | 10 |
| | In the same fashion as you gave in charge, | |
| | Just as you left them; all prisoners, sir, | |
| | In the line-grove which weather-fends your cell; | |
| | They cannot budge till your release. The king, | |
| | His brother and yours, abide all three distracted | 15 |
| | And the remainder mourning over them, | |
| | Brimful of sorrow and dismay; but chiefly | |
| | Him that you term'd, sir, 'The good old lord Gonzalo;' | |
| | His tears run down his beard, like winter's drops | |
| | From eaves of reeds. Your charm so strongly works 'em | 20 |
| | That if you now beheld them, your affections | |
| | Would become tender. | |
| PROSPERO | Dost thou think so, spirit? | |
| ARIEL | Mine would, sir, were I human. | |
| PROSPERO | And mine shall. | 25 |
| | Hast thou, which art but air, a touch, a feeling | |
| | Of their afflictions, and shall not myself, | |
| | One of their kind, that relish all as sharply, | |
| | Passion as they, be kindlier moved than thou art? | |
| | Though with their high wrongs I am struck to the quick, | 30 |
| | Yet with my nobler reason 'gaitist my fury | |
| | Do I take part: the rarer action is | |
| | In virtue than in vengeance: they being penitent, | |
| | The sole drift of my purpose doth extend | |
| | Not a frown further. Go release them, Ariel: | 35 |
| | My charms I'll break, their senses I'll restore, | |
| | And they shall be themselves. | |
| ARIEL | I'll fetch them, sir. | |
| | Exit | |
| PROSPERO | Ye elves of hills, brooks, standing lakes and groves, | |
| | And ye that on the sands with printless foot | 40 |
| | Do chase the ebbing Neptune and do fly him | |
| | When he comes back; you demi-puppets that | |
| | By moonshine do the green sour ringlets make, | |
| | Whereof the ewe not bites, and you whose pastime | |
| | Is to make midnight mushrooms, that rejoice | 45 |
| | To hear the solemn curfew; by whose aid, | |
| | Weak masters though ye be, I have bedimm'd | |
| | The noontide sun, call'd forth the mutinous winds, | |
| | And 'twixt the green sea and the azured vault | |
| | Set roaring war: to the dread rattling thunder | 50 |
| | Have I given fire and rifted Jove's stout oak | |
| | With his own bolt; the strong-based promontory | |
| | Have I made shake and by the spurs pluck'd up | |
| | The pine and cedar: graves at my command | |
| | Have waked their sleepers, oped, and let 'em forth | 55 |
| | By my so potent art. But this rough magic | |
| | I here abjure, and, when I have required | |
| | Some heavenly music, which even now I do, | |
| | To work mine end upon their senses that | |
| | This airy charm is for, I'll break my staff, | 60 |
| | Bury it certain fathoms in the earth, | |
| | And deeper than did ever plummet sound | |
| | I'll drown my book. | |
| | Solemn music | |
| | Re-enter ARIEL before: then ALONSO, with afrantic gesture, attended by GONZALO;SEBASTIAN and ANTONIO in like manner,attended by ADRIAN and FRANCISCO they allenter the circle which PROSPERO had made,and there stand charmed; which PROSPEROobserving, speaks: | |
| | A solemn air and the best comforter | |
| | To an unsettled fancy cure thy brains, | 65 |
| | Now useless, boil'd within thy skull! There stand, | |
| | For you are spell-stopp'd. | |
| | Holy Gonzalo, honourable man, | |
| | Mine eyes, even sociable to the show of thine, | |
| | Fall fellowly drops. The charm dissolves apace, | 70 |
| | And as the morning steals upon the night, | |
| | Melting the darkness, so their rising senses | |
| | Begin to chase the ignorant fumes that mantle | |
| | Their clearer reason. O good Gonzalo, | |
| | My true preserver, and a loyal sir | 75 |
| | To him you follow'st! I will pay thy graces | |
| | Home both in word and deed. Most cruelly | |
| | Didst thou, Alonso, use me and my daughter: | |
| | Thy brother was a furtherer in the act. | |
| | Thou art pinch'd fort now, Sebastian. Flesh and blood, | 80 |
| | You, brother mine, that entertain'd ambition, | |
| | Expell'd remorse and nature; who, with Sebastian, | |
| | Whose inward pinches therefore are most strong, | |
| | Would here have kill'd your king; I do forgive thee, | |
| | Unnatural though thou art. Their understanding | 85 |
| | Begins to swell, and the approaching tide | |
| | Will shortly fill the reasonable shore | |
| | That now lies foul and muddy. Not one of them | |
| | That yet looks on me, or would know me Ariel, | |
| | Fetch me the hat and rapier in my cell: | 90 |
| | I will discase me, and myself present | |
| | As I was sometime Milan: quickly, spirit; | |
| | Thou shalt ere long be free. | |
| | ARIEL sings and helps to attire him | |
| | Where the bee sucks. there suck I: | |
| | In a cowslip's bell I lie; | 95 |
| | There I couch when owls do cry. | |
| | On the bat's back I do fly | |
| | After summer merrily. | |
| | Merrily, merrily shall I live now | |
| | Under the blossom that hangs on the bough. | 100 |
| PROSPERO | Why, that's my dainty Ariel! I shall miss thee: | |
| | But yet thou shalt have freedom: so, so, so. | |
| | To the king's ship, invisible as thou art: | |
| | There shalt thou find the mariners asleep | |
| | Under the hatches; the master and the boatswain | 105 |
| | Being awake, enforce them to this place, | |
| | And presently, I prithee. | |
| ARIEL | I drink the air before me, and return | |
| | Or ere your pulse twice beat. | |
| | Exit | |
| GONZALO | All torment, trouble, wonder and amazement | 110 |
| | Inhabits here: some heavenly power guide us | |
| | Out of this fearful country! | |
| PROSPERO | Behold, sir king, | |
| | The wronged Duke of Milan, Prospero: | |
| | For more assurance that a living prince | 115 |
| | Does now speak to thee, I embrace thy body; | |
| | And to thee and thy company I bid | |
| | A hearty welcome. | |
| ALONSO | Whether thou best he or no, | |
| | Or some enchanted trifle to abuse me, | 120 |
| | As late I have been, I not know: thy pulse | |
| | Beats as of flesh and blood; and, since I saw thee, | |
| | The affliction of my mind amends, with which, | |
| | I fear, a madness held me: this must crave, | |
| | An if this be at all, a most strange story. | 125 |
| | Thy dukedom I resign and do entreat | |
| | Thou pardon me my wrongs. But how should Prospero | |
| | Be living and be here? | |
| PROSPERO | First, noble friend, | |
| | Let me embrace thine age, whose honour cannot | 130 |
| | Be measured or confined. | |
| GONZALO | Whether this be | |
| | Or be not, I'll not swear. | |
| PROSPERO | You do yet taste | |
| | Some subtilties o' the isle, that will not let you | 135 |
| | Believe things certain. Welcome, my friends all! | |
| | Aside to SEBASTIAN and ANTONIO | |
| | But you, my brace of lords, were I so minded, | |
| | I here could pluck his highness' frown upon you | |
| | And justify you traitors: at this time | |
| | I will tell no tales. | 140 |
| SEBASTIAN | Aside | |
| PROSPERO | No. | |
| | For you, most wicked sir, whom to call brother | |
| | Would even infect my mouth, I do forgive | |
| | Thy rankest fault; all of them; and require | |
| | My dukedom of thee, which perforce, I know, | 145 |
| | Thou must restore. | |
| ALONSO | If thou be'st Prospero, | |
| | Give us particulars of thy preservation; | |
| | How thou hast met us here, who three hours since | |
| | Were wreck'd upon this shore; where I have lost-- | 150 |
| | How sharp the point of this remembrance is!-- | |
| | My dear son Ferdinand. | |
| PROSPERO | I am woe for't, sir. | |
| ALONSO | Irreparable is the loss, and patience | |
| | Says it is past her cure. | 155 |
| PROSPERO | I rather think | |
| | You have not sought her help, of whose soft grace | |
| | For the like loss I have her sovereign aid | |
| | And rest myself content. | |
| ALONSO | You the like loss! | 160 |
| PROSPERO | As great to me as late; and, supportable | |
| | To make the dear loss, have I means much weaker | |
| | Than you may call to comfort you, for I | |
| | Have lost my daughter. | |
| ALONSO | A daughter? | 165 |
| | O heavens, that they were living both in Naples, | |
| | The king and queen there! that they were, I wish | |
| | Myself were mudded in that oozy bed | |
| | Where my son lies. When did you lose your daughter? | |
| PROSPERO | In this last tempest. I perceive these lords | 170 |
| | At this encounter do so much admire | |
| | That they devour their reason and scarce think | |
| | Their eyes do offices of truth, their words | |
| | Are natural breath: but, howsoe'er you have | |
| | Been justled from your senses, know for certain | 175 |
| | That I am Prospero and that very duke | |
| | Which was thrust forth of Milan, who most strangely | |
| | Upon this shore, where you were wreck'd, was landed, | |
| | To be the lord on't. No more yet of this; | |
| | For 'tis a chronicle of day by day, | 180 |
| | Not a relation for a breakfast nor | |
| | Befitting this first meeting. Welcome, sir; | |
| | This cell's my court: here have I few attendants | |
| | And subjects none abroad: pray you, look in. | |
| | My dukedom since you have given me again, | 185 |
| | I will requite you with as good a thing; | |
| | At least bring forth a wonder, to content ye | |
| | As much as me my dukedom. | |
| | Here PROSPERO discovers FERDINAND and MIRANDAplaying at chess | |
| MIRANDA | Sweet lord, you play me false. | |
| FERDINAND | No, my dear'st love, | 190 |
| | I would not for the world. | |
| MIRANDA | Yes, for a score of kingdoms you should wrangle, | |
| | And I would call it, fair play. | |
| ALONSO | If this prove | |
| | A vision of the Island, one dear son | 195 |
| | Shall I twice lose. | |
| SEBASTIAN | A most high miracle! | |
| FERDINAND | Though the seas threaten, they are merciful; | |
| | I have cursed them without cause. | |
| | Kneels | |
| ALONSO | Now all the blessings | 200 |
| | Of a glad father compass thee about! | |
| | Arise, and say how thou camest here. | |
| MIRANDA | O, wonder! | |
| | How many goodly creatures are there here! | |
| | How beauteous mankind is! O brave new world, | 205 |
| | That has such people in't! | |
| PROSPERO | 'Tis new to thee. | |
| ALONSO | What is this maid with whom thou wast at play? | |
| | Your eld'st acquaintance cannot be three hours: | |
| | Is she the goddess that hath sever'd us, | 210 |
| | And brought us thus together? | |
| FERDINAND | Sir, she is mortal; | |
| | But by immortal Providence she's mine: | |
| | I chose her when I could not ask my father | |
| | For his advice, nor thought I had one. She | 215 |
| | Is daughter to this famous Duke of Milan, | |
| | Of whom so often I have heard renown, | |
| | But never saw before; of whom I have | |
| | Received a second life; and second father | |
| | This lady makes him to me. | 220 |
| ALONSO | I am hers: | |
| | But, O, how oddly will it sound that I | |
| | Must ask my child forgiveness! | |
| PROSPERO | There, sir, stop: | |
| | Let us not burthen our remembrance with | 225 |
| | A heaviness that's gone. | |
| GONZALO | I have inly wept, | |
| | Or should have spoke ere this. Look down, you god, | |
| | And on this couple drop a blessed crown! | |
| | For it is you that have chalk'd forth the way | 230 |
| | Which brought us hither. | |
| ALONSO | I say, Amen, Gonzalo! | |
| GONZALO | Was Milan thrust from Milan, that his issue | |
| | Should become kings of Naples? O, rejoice | |
| | Beyond a common joy, and set it down | 235 |
| | With gold on lasting pillars: In one voyage | |
| | Did Claribel her husband find at Tunis, | |
| | And Ferdinand, her brother, found a wife | |
| | Where he himself was lost, Prospero his dukedom | |
| | In a poor isle and all of us ourselves | 240 |
| | When no man was his own. | |
| ALONSO | To FERDINAND and MIRANDA | |
| | Let grief and sorrow still embrace his heart | |
| | That doth not wish you joy! | |
| GONZALO | Be it so! Amen! | |
| | Re-enter ARIEL, with the Master and Boatswainamazedly following | |
| | O, look, sir, look, sir! here is more of us: | 245 |
| | I prophesied, if a gallows were on land, | |
| | This fellow could not drown. Now, blasphemy, | |
| | That swear'st grace o'erboard, not an oath on shore? | |
| | Hast thou no mouth by land? What is the news? | |
| Boatswain | The best news is, that we have safely found | 250 |
| | Our king and company; the next, our ship-- | |
| | Which, but three glasses since, we gave out split-- | |
| | Is tight and yare and bravely rigg'd as when | |
| | We first put out to sea. | |
| ARIEL | Aside to PROSPERO | |
| | Have I done since I went. | 255 |
| PROSPERO | Aside to ARIEL | |
| ALONSO | These are not natural events; they strengthen | |
| | From strange to stranger. Say, how came you hither? | |
| Boatswain | If I did think, sir, I were well awake, | |
| | I'ld strive to tell you. We were dead of sleep, | |
| | And--how we know not--all clapp'd under hatches; | 260 |
| | Where but even now with strange and several noises | |
| | Of roaring, shrieking, howling, jingling chains, | |
| | And more diversity of sounds, all horrible, | |
| | We were awaked; straightway, at liberty; | |
| | Where we, in all her trim, freshly beheld | 265 |
| | Our royal, good and gallant ship, our master | |
| | Capering to eye her: on a trice, so please you, | |
| | Even in a dream, were we divided from them | |
| | And were brought moping hither. | |
| ARIEL | Aside to PROSPERO | |
| PROSPERO | Aside to ARIEL | |
| ALONSO | This is as strange a maze as e'er men trod | 270 |
| | And there is in this business more than nature | |
| | Was ever conduct of: some oracle | |
| | Must rectify our knowledge. | |
| PROSPERO | Sir, my liege, | |
| | Do not infest your mind with beating on | 275 |
| | The strangeness of this business; at pick'd leisure | |
| | Which shall be shortly, single I'll resolve you, | |
| | Which to you shall seem probable, of every | |
| | These happen'd accidents; till when, be cheerful | |
| | And think of each thing well. | 280 |
| | Aside to ARIEL | |
| | Come hither, spirit: | |
| | Set Caliban and his companions free; | |
| | Untie the spell. | |
| | Exit ARIEL | |
| | How fares my gracious sir? | |
| | There are yet missing of your company | 285 |
| | Some few odd lads that you remember not. | |
| | Re-enter ARIEL, driving in CALIBAN, STEPHANOand TRINCULO, in their stolen apparel | |
| STEPHANO | Every man shift for all the rest, and | |
| | let no man take care for himself; for all is | |
| | but fortune. Coragio, bully-monster, coragio! | |
| TRINCULO | If these be true spies which I wear in my head, | 290 |
| | here's a goodly sight. | |
| CALIBAN | O Setebos, these be brave spirits indeed! | |
| | How fine my master is! I am afraid | |
| | He will chastise me. | |
| SEBASTIAN | Ha, ha! | 295 |
| | What things are these, my lord Antonio? | |
| | Will money buy 'em? | |
| ANTONIO | Very like; one of them | |
| | Is a plain fish, and, no doubt, marketable. | |
| PROSPERO | Mark but the badges of these men, my lords, | 300 |
| | Then say if they be true. This mis-shapen knave, | |
| | His mother was a witch, and one so strong | |
| | That could control the moon, make flows and ebbs, | |
| | And deal in her command without her power. | |
| | These three have robb'd me; and this demi-devil-- | 305 |
| | For he's a bastard one--had plotted with them | |
| | To take my life. Two of these fellows you | |
| | Must know and own; this thing of darkness! | |
| | Acknowledge mine. | |
| CALIBAN | I shall be pinch'd to death. | 310 |
| ALONSO | Is not this Stephano, my drunken butler? | |
| SEBASTIAN | He is drunk now: where had he wine? | |
| ALONSO | And Trinculo is reeling ripe: where should they | |
| | Find this grand liquor that hath gilded 'em? | |
| | How camest thou in this pickle? | 315 |
| TRINCULO | I have been in such a pickle since I | |
| | saw you last that, I fear me, will never out of | |
| | my bones: I shall not fear fly-blowing. | |
| SEBASTIAN | Why, how now, Stephano! | |
| STEPHANO | O, touch me not; I am not Stephano, but a cramp. | 320 |
| PROSPERO | You'ld be king o' the isle, sirrah? | |
| STEPHANO | I should have been a sore one then. | |
| ALONSO | This is a strange thing as e'er I look'd on. | |
| | Pointing to Caliban | |
| PROSPERO | He is as disproportion'd in his manners | |
| | As in his shape. Go, sirrah, to my cell; | 325 |
| | Take with you your companions; as you look | |
| | To have my pardon, trim it handsomely. | |
| CALIBAN | Ay, that I will; and I'll be wise hereafter | |
| | And seek for grace. What a thrice-double ass | |
| | Was I, to take this drunkard for a god | 330 |
| | And worship this dull fool! | |
| PROSPERO | Go to; away! | |
| ALONSO | Hence, and bestow your luggage where you found it. | |
| SEBASTIAN | Or stole it, rather. | |
| | Exeunt CALIBAN, STEPHANO, and TRINCULO | |
| PROSPERO | Sir, I invite your highness and your train | 335 |
| | To my poor cell, where you shall take your rest | |
| | For this one night; which, part of it, I'll waste | |
| | With such discourse as, I not doubt, shall make it | |
| | Go quick away; the story of my life | |
| | And the particular accidents gone by | 340 |
| | Since I came to this isle: and in the morn | |
| | I'll bring you to your ship and so to Naples, | |
| | Where I have hope to see the nuptial | |
| | Of these our dear-beloved solemnized; | |
| | And thence retire me to my Milan, where | 345 |
| | Every third thought shall be my grave. | |
| ALONSO | I long | |
| | To hear the story of your life, which must | |
| | Take the ear strangely. | |
| PROSPERO | I'll deliver all; | 350 |
| | And promise you calm seas, auspicious gales | |
| | And sail so expeditious that shall catch | |
| | Your royal fleet far off. | |
| | Aside to ARIEL | |
| | My Ariel, chick, | |
| | That is thy charge: then to the elements | 355 |
| | Be free, and fare thou well! Please you, draw near. | |
| | Exeunt | |
| | EPILOGUE | |
| | SPOKEN BY PROSPERO | |
| | Now my charms are all o'erthrown, | |
| | And what strength I have's mine own, | 360 |
| | Which is most faint: now, 'tis true, | |
| | I must be here confined by you, | |
| | Or sent to Naples. Let me not, | |
| | Since I have my dukedom got | |
| | And pardon'd the deceiver, dwell | 365 |
| | In this bare island by your spell; | |
| | But release me from my bands | |
| | With the help of your good hands: | |
| | Gentle breath of yours my sails | |
| | Must fill, or else my project fails, | 370 |
| | Which was to please. Now I want | |
| | Spirits to enforce, art to enchant, | |
| | And my ending is despair, | |
| | Unless I be relieved by prayer, | |
| | Which pierces so that it assaults | 375 |
| | Mercy itself and frees all faults. | |
| | As you from crimes would pardon'd be, | |
| | Let your indulgence set me free. | |