| ACT IV SCENE V | Juliet's chamber. | |
| | Enter Nurse | |
| Nurse | Mistress! what, mistress! Juliet! fast, I warrant her, she: | |
| | Why, lamb! why, lady! fie, you slug-a-bed! | |
| | Why, love, I say! madam! sweet-heart! why, bride! | |
| | What, not a word? you take your pennyworths now; | 5 |
| | Sleep for a week; for the next night, I warrant, | |
| | The County Paris hath set up his rest, | |
| | That you shall rest but little. God forgive me, | |
| | Marry, and amen, how sound is she asleep! | |
| | I must needs wake her. Madam, madam, madam! | 10 |
| | Ay, let the county take you in your bed; | |
| | He'll fright you up, i' faith. Will it not be? | |
| | Undraws the curtains | |
| | What, dress'd! and in your clothes! and down again! | |
| | I must needs wake you; Lady! lady! lady! | |
| | Alas, alas! Help, help! my lady's dead! | 15 |
| | O, well-a-day, that ever I was born! | |
| | Some aqua vitae, ho! My lord! my lady! | |
| | Enter LADY CAPULET | |
| LADY CAPULET | What noise is here? | |
| Nurse | O lamentable day! | |
| LADY CAPULET | What is the matter? | 20 |
| Nurse | Look, look! O heavy day! | |
| LADY CAPULET | O me, O me! My child, my only life, | |
| | Revive, look up, or I will die with thee! | |
| | Help, help! Call help. | |
| | Enter CAPULET | |
| CAPULET | For shame, bring Juliet forth; her lord is come. | 25 |
| Nurse | She's dead, deceased, she's dead; alack the day! | |
| LADY CAPULET | Alack the day, she's dead, she's dead, she's dead! | |
| CAPULET | Ha! let me see her: out, alas! she's cold: | |
| | Her blood is settled, and her joints are stiff; | |
| | Life and these lips have long been separated: | 30 |
| | Death lies on her like an untimely frost | |
| | Upon the sweetest flower of all the field. | |
| Nurse | O lamentable day! | |
| LADY CAPULET | O woful time! | |
| CAPULET | Death, that hath ta'en her hence to make me wail, | 35 |
| | Ties up my tongue, and will not let me speak. | |
| | Enter FRIAR LAURENCE and PARIS, with Musicians | |
| FRIAR LAURENCE | Come, is the bride ready to go to church? | |
| CAPULET | Ready to go, but never to return. | |
| | O son! the night before thy wedding-day | |
| | Hath Death lain with thy wife. There she lies, | 40 |
| | Flower as she was, deflowered by him. | |
| | Death is my son-in-law, Death is my heir; | |
| | My daughter he hath wedded: I will die, | |
| | And leave him all; life, living, all is Death's. | |
| PARIS | Have I thought long to see this morning's face, | 45 |
| | And doth it give me such a sight as this? | |
| LADY CAPULET | Accursed, unhappy, wretched, hateful day! | |
| | Most miserable hour that e'er time saw | |
| | In lasting labour of his pilgrimage! | |
| | But one, poor one, one poor and loving child, | 50 |
| | But one thing to rejoice and solace in, | |
| | And cruel death hath catch'd it from my sight! | |
| Nurse | O woe! O woful, woful, woful day! | |
| | Most lamentable day, most woful day, | |
| | That ever, ever, I did yet behold! | 55 |
| | O day! O day! O day! O hateful day! | |
| | Never was seen so black a day as this: | |
| | O woful day, O woful day! | |
| PARIS | Beguiled, divorced, wronged, spited, slain! | |
| | Most detestable death, by thee beguil'd, | 60 |
| | By cruel cruel thee quite overthrown! | |
| | O love! O life! not life, but love in death! | |
| CAPULET | Despised, distressed, hated, martyr'd, kill'd! | |
| | Uncomfortable time, why camest thou now | |
| | To murder, murder our solemnity? | 65 |
| | O child! O child! my soul, and not my child! | |
| | Dead art thou! Alack! my child is dead; | |
| | And with my child my joys are buried. | |
| FRIAR LAURENCE | Peace, ho, for shame! confusion's cure lives not | |
| | In these confusions. Heaven and yourself | 70 |
| | Had part in this fair maid; now heaven hath all, | |
| | And all the better is it for the maid: | |
| | Your part in her you could not keep from death, | |
| | But heaven keeps his part in eternal life. | |
| | The most you sought was her promotion; | 75 |
| | For 'twas your heaven she should be advanced: | |
| | And weep ye now, seeing she is advanced | |
| | Above the clouds, as high as heaven itself? | |
| | O, in this love, you love your child so ill, | |
| | That you run mad, seeing that she is well: | 80 |
| | She's not well married that lives married long; | |
| | But she's best married that dies married young. | |
| | Dry up your tears, and stick your rosemary | |
| | On this fair corse; and, as the custom is, | |
| | In all her best array bear her to church: | 85 |
| | For though fond nature bids us an lament, | |
| | Yet nature's tears are reason's merriment. | |
| CAPULET | All things that we ordained festival, | |
| | Turn from their office to black funeral; | |
| | Our instruments to melancholy bells, | 90 |
| | Our wedding cheer to a sad burial feast, | |
| | Our solemn hymns to sullen dirges change, | |
| | Our bridal flowers serve for a buried corse, | |
| | And all things change them to the contrary. | |
| FRIAR LAURENCE | Sir, go you in; and, madam, go with him; | 95 |
| | And go, Sir Paris; every one prepare | |
| | To follow this fair corse unto her grave: | |
| | The heavens do lour upon you for some ill; | |
| | Move them no more by crossing their high will. | |
| | Exeunt CAPULET, LADY CAPULET, PARIS, and FRIAR LAURENCE | |
| First Musician | Faith, we may put up our pipes, and be gone. | 100 |
| Nurse | Honest goodfellows, ah, put up, put up; | |
| | For, well you know, this is a pitiful case. | |
| | Exit | |
| First Musician | Ay, by my troth, the case may be amended. | |
| | Enter PETER | |
| PETER | Musicians, O, musicians, 'Heart's ease, Heart's | |
| | ease:' O, an you will have me live, play 'Heart's ease.' | 105 |
| First Musician | Why 'Heart's ease?' | |
| PETER | O, musicians, because my heart itself plays 'My | |
| | heart is full of woe:' O, play me some merry dump, | |
| | to comfort me. | |
| First Musician | Not a dump we; 'tis no time to play now. | 110 |
| PETER | You will not, then? | |
| First Musician | No. | |
| PETER | I will then give it you soundly. | |
| First Musician | What will you give us? | |
| PETER | No money, on my faith, but the gleek; | 115 |
| | I will give you the minstrel. | |
| First Musician | Then I will give you the serving-creature. | |
| PETER | Then will I lay the serving-creature's dagger on | |
| | your pate. I will carry no crotchets: I'll re you, | |
| | I'll fa you; do you note me? | 120 |
| First Musician | An you re us and fa us, you note us. | |
| Second Musician | Pray you, put up your dagger, and put out your wit. | |
| PETER | Then have at you with my wit! I will dry-beat you | |
| | with an iron wit, and put up my iron dagger. Answer | |
| | me like men: | 125 |
| | 'When griping grief the heart doth wound, | |
| | And doleful dumps the mind oppress, | |
| | Then music with her silver sound'-- | |
| | why 'silver sound'? why 'music with her silver | |
| | sound'? What say you, Simon Catling? | 130 |
| Musician | Marry, sir, because silver hath a sweet sound. | |
| PETER | Pretty! What say you, Hugh Rebeck? | |
| Second Musician | I say 'silver sound,' because musicians sound for silver. | |
| PETER | Pretty too! What say you, James Soundpost? | |
| Third Musician | Faith, I know not what to say. | 135 |
| PETER | O, I cry you mercy; you are the singer: I will say | |
| | for you. It is 'music with her silver sound,' | |
| | because musicians have no gold for sounding: | |
| | 'Then music with her silver sound | |
| | With speedy help doth lend redress.' | 140 |
| | Exit | |
| First Musician | What a pestilent knave is this same! | |
| Second Musician | Hang him, Jack! Come, we'll in here; tarry for the | |
| | mourners, and stay dinner. | |
| | Exeunt | |