| ACT II SCENE I | A Sea-port in Cyprus. An open place near the quay. | |
| | Enter MONTANO and two Gentlemen | |
| MONTANO | What from the cape can you discern at sea? | |
| First Gentleman | Nothing at all: it is a highwrought flood; | |
| | I cannot, 'twixt the heaven and the main, | |
| | Descry a sail. | 5 |
| MONTANO | Methinks the wind hath spoke aloud at land; | |
| | A fuller blast ne'er shook our battlements: | |
| | If it hath ruffian'd so upon the sea, | |
| | What ribs of oak, when mountains melt on them, | |
| | Can hold the mortise? What shall we hear of this? | 10 |
| Second Gentleman | A segregation of the Turkish fleet: | |
| | For do but stand upon the foaming shore, | |
| | The chidden billow seems to pelt the clouds; | |
| | The wind-shaked surge, with high and monstrous mane, | |
| | seems to cast water on the burning bear, | 15 |
| | And quench the guards of the ever-fixed pole: | |
| | I never did like molestation view | |
| | On the enchafed flood. | |
| MONTANO | If that the Turkish fleet | |
| | Be not enshelter'd and embay'd, they are drown'd: | 20 |
| | It is impossible they bear it out. | |
| | Enter a third Gentleman | |
| Third Gentleman | News, lads! our wars are done. | |
| | The desperate tempest hath so bang'd the Turks, | |
| | That their designment halts: a noble ship of Venice | |
| | Hath seen a grievous wreck and sufferance | 25 |
| | On most part of their fleet. | |
| MONTANO | How! is this true? | |
| Third Gentleman | The ship is here put in, | |
| | A Veronesa; Michael Cassio, | |
| | Lieutenant to the warlike Moor Othello, | 30 |
| | Is come on shore: the Moor himself at sea, | |
| | And is in full commission here for Cyprus. | |
| MONTANO | I am glad on't; 'tis a worthy governor. | |
| Third Gentleman | But this same Cassio, though he speak of comfort | |
| | Touching the Turkish loss, yet he looks sadly, | 35 |
| | And prays the Moor be safe; for they were parted | |
| | With foul and violent tempest. | |
| MONTANO | Pray heavens he be; | |
| | For I have served him, and the man commands | |
| | Like a full soldier. Let's to the seaside, ho! | 40 |
| | As well to see the vessel that's come in | |
| | As to throw out our eyes for brave Othello, | |
| | Even till we make the main and the aerial blue | |
| | An indistinct regard. | |
| Third Gentleman | Come, let's do so: | 45 |
| | For every minute is expectancy | |
| | Of more arrivance. | |
| | Enter CASSIO | |
| CASSIO | Thanks, you the valiant of this warlike isle, | |
| | That so approve the Moor! O, let the heavens | |
| | Give him defence against the elements, | 50 |
| | For I have lost us him on a dangerous sea. | |
| MONTANO | Is he well shipp'd? | |
| CASSIO | His bark is stoutly timber'd, his pilot | |
| | Of very expert and approved allowance; | |
| | Therefore my hopes, not surfeited to death, | 55 |
| | Stand in bold cure. | |
| | A cry within 'A sail, a sail, a sail!' | |
| | Enter a fourth Gentleman | |
| CASSIO | What noise? | |
| Fourth Gentleman | The town is empty; on the brow o' the sea | |
| | Stand ranks of people, and they cry 'A sail!' | |
| CASSIO | My hopes do shape him for the governor. | 60 |
| | Guns heard | |
| Second Gentlemen | They do discharge their shot of courtesy: | |
| | Our friends at least. | |
| CASSIO | I pray you, sir, go forth, | |
| | And give us truth who 'tis that is arrived. | |
| Second Gentleman | I shall. | 65 |
| | Exit | |
| MONTANO | But, good lieutenant, is your general wived? | |
| CASSIO | Most fortunately: he hath achieved a maid | |
| | That paragons description and wild fame; | |
| | One that excels the quirks of blazoning pens, | |
| | And in the essential vesture of creation | 70 |
| | Does tire the ingener. | |
| | Re-enter second Gentleman | |
| | How now! who has put in? | |
| Second Gentleman | 'Tis one Iago, ancient to the general. | |
| CASSIO | Has had most favourable and happy speed: | |
| | Tempests themselves, high seas, and howling winds, | 75 |
| | The gutter'd rocks and congregated sands-- | |
| | Traitors ensteep'd to clog the guiltless keel,-- | |
| | As having sense of beauty, do omit | |
| | Their mortal natures, letting go safely by | |
| | The divine Desdemona. | 80 |
| MONTANO | What is she? | |
| CASSIO | She that I spake of, our great captain's captain, | |
| | Left in the conduct of the bold Iago, | |
| | Whose footing here anticipates our thoughts | |
| | A se'nnight's speed. Great Jove, Othello guard, | 85 |
| | And swell his sail with thine own powerful breath, | |
| | That he may bless this bay with his tall ship, | |
| | Make love's quick pants in Desdemona's arms, | |
| | Give renew'd fire to our extincted spirits | |
| | And bring all Cyprus comfort! | 90 |
| | Enter DESDEMONA, EMILIA, IAGO, RODERIGO, andAttendants | |
| | O, behold, | |
| | The riches of the ship is come on shore! | |
| | Ye men of Cyprus, let her have your knees. | |
| | Hail to thee, lady! and the grace of heaven, | |
| | Before, behind thee, and on every hand, | 95 |
| | Enwheel thee round! | |
| DESDEMONA | I thank you, valiant Cassio. | |
| | What tidings can you tell me of my lord? | |
| CASSIO | He is not yet arrived: nor know I aught | |
| | But that he's well and will be shortly here. | 100 |
| DESDEMONA | O, but I fear--How lost you company? | |
| CASSIO | The great contention of the sea and skies | |
| | Parted our fellowship--But, hark! a sail. | |
| | Within 'A sail, a sail!' Guns heard | |
| Second Gentleman | They give their greeting to the citadel; | |
| | This likewise is a friend. | 105 |
| CASSIO | See for the news. | |
| | Exit Gentleman | |
| | Good ancient, you are welcome. | |
| | To EMILIA | |
| | Welcome, mistress. | |
| | Let it not gall your patience, good Iago, | |
| | That I extend my manners; 'tis my breeding | 110 |
| | That gives me this bold show of courtesy. | |
| | Kissing her | |
| IAGO | Sir, would she give you so much of her lips | |
| | As of her tongue she oft bestows on me, | |
| | You'll have enough. | |
| DESDEMONA | Alas, she has no speech. | 115 |
| IAGO | In faith, too much; | |
| | I find it still, when I have list to sleep: | |
| | Marry, before your ladyship, I grant, | |
| | She puts her tongue a little in her heart, | |
| | And chides with thinking. | 120 |
| EMILIA | You have little cause to say so. | |
| IAGO | Come on, come on; you are pictures out of doors, | |
| | Bells in your parlors, wild-cats in your kitchens, | |
| | Saints m your injuries, devils being offended, | |
| | Players in your housewifery, and housewives' in your beds. | 125 |
| DESDEMONA | O, fie upon thee, slanderer! | |
| IAGO | Nay, it is true, or else I am a Turk: | |
| | You rise to play and go to bed to work. | |
| EMILIA | You shall not write my praise. | |
| IAGO | No, let me not. | 130 |
| DESDEMONA | What wouldst thou write of me, if thou shouldst | |
| | praise me? | |
| IAGO | O gentle lady, do not put me to't; | |
| | For I am nothing, if not critical. | |
| DESDEMONA | Come on assay. There's one gone to the harbour? | 135 |
| IAGO | Ay, madam. | |
| DESDEMONA | I am not merry; but I do beguile | |
| | The thing I am, by seeming otherwise. | |
| | Come, how wouldst thou praise me? | |
| IAGO | I am about it; but indeed my invention | 140 |
| | Comes from my pate as birdlime does from frize; | |
| | It plucks out brains and all: but my Muse labours, | |
| | And thus she is deliver'd. | |
| | If she be fair and wise, fairness and wit, | |
| | The one's for use, the other useth it. | 145 |
| DESDEMONA | Well praised! How if she be black and witty? | |
| IAGO | If she be black, and thereto have a wit, | |
| | She'll find a white that shall her blackness fit. | |
| DESDEMONA | Worse and worse. | |
| EMILIA | How if fair and foolish? | 150 |
| IAGO | She never yet was foolish that was fair; | |
| | For even her folly help'd her to an heir. | |
| DESDEMONA | These are old fond paradoxes to make fools laugh i' | |
| | the alehouse. What miserable praise hast thou for | |
| | her that's foul and foolish? | 155 |
| IAGO | There's none so foul and foolish thereunto, | |
| | But does foul pranks which fair and wise ones do. | |
| DESDEMONA | O heavy ignorance! thou praisest the worst best. | |
| | But what praise couldst thou bestow on a deserving | |
| | woman indeed, one that, in the authority of her | 160 |
| | merit, did justly put on the vouch of very malice itself? | |
| IAGO | She that was ever fair and never proud, | |
| | Had tongue at will and yet was never loud, | |
| | Never lack'd gold and yet went never gay, | |
| | Fled from her wish and yet said 'Now I may,' | 165 |
| | She that being anger'd, her revenge being nigh, | |
| | Bade her wrong stay and her displeasure fly, | |
| | She that in wisdom never was so frail | |
| | To change the cod's head for the salmon's tail; | |
| | She that could think and ne'er disclose her mind, | 170 |
| | See suitors following and not look behind, | |
| | She was a wight, if ever such wight were,-- | |
| DESDEMONA | To do what? | |
| IAGO | To suckle fools and chronicle small beer. | |
| DESDEMONA | O most lame and impotent conclusion! Do not learn | 175 |
| | of him, Emilia, though he be thy husband. How say | |
| | you, Cassio? is he not a most profane and liberal | |
| | counsellor? | |
| CASSIO | He speaks home, madam: You may relish him more in | |
| | the soldier than in the scholar. | 180 |
| IAGO | Aside | |
| | whisper: with as little a web as this will I | |
| | ensnare as great a fly as Cassio. Ay, smile upon | |
| | her, do; I will gyve thee in thine own courtship. | |
| | You say true; 'tis so, indeed: if such tricks as | |
| | these strip you out of your lieutenantry, it had | 185 |
| | been better you had not kissed your three fingers so | |
| | oft, which now again you are most apt to play the | |
| | sir in. Very good; well kissed! an excellent | |
| | courtesy! 'tis so, indeed. Yet again your fingers | |
| | to your lips? would they were clyster-pipes for your sake! | 190 |
| | Trumpet within | |
| | The Moor! I know his trumpet. | |
| CASSIO | 'Tis truly so. | |
| DESDEMONA | Let's meet him and receive him. | |
| CASSIO | Lo, where he comes! | |
| | Enter OTHELLO and Attendants | |
| OTHELLO | O my fair warrior! | 195 |
| DESDEMONA | My dear Othello! | |
| OTHELLO | It gives me wonder great as my content | |
| | To see you here before me. O my soul's joy! | |
| | If after every tempest come such calms, | |
| | May the winds blow till they have waken'd death! | 200 |
| | And let the labouring bark climb hills of seas | |
| | Olympus-high and duck again as low | |
| | As hell's from heaven! If it were now to die, | |
| | 'Twere now to be most happy; for, I fear, | |
| | My soul hath her content so absolute | 205 |
| | That not another comfort like to this | |
| | Succeeds in unknown fate. | |
| DESDEMONA | The heavens forbid | |
| | But that our loves and comforts should increase, | |
| | Even as our days do grow! | 210 |
| OTHELLO | Amen to that, sweet powers! | |
| | I cannot speak enough of this content; | |
| | It stops me here; it is too much of joy: | |
| | And this, and this, the greatest discords be | |
| | Kissing her | |
| | That e'er our hearts shall make! | 215 |
| IAGO | Aside | |
| | But I'll set down the pegs that make this music, | |
| | As honest as I am. | |
| OTHELLO | Come, let us to the castle. | |
| | News, friends; our wars are done, the Turks | |
| | are drown'd. | 220 |
| | How does my old acquaintance of this isle? | |
| | Honey, you shall be well desired in Cyprus; | |
| | I have found great love amongst them. O my sweet, | |
| | I prattle out of fashion, and I dote | |
| | In mine own comforts. I prithee, good Iago, | 225 |
| | Go to the bay and disembark my coffers: | |
| | Bring thou the master to the citadel; | |
| | He is a good one, and his worthiness | |
| | Does challenge much respect. Come, Desdemona, | |
| | Once more, well met at Cyprus. | 230 |
| | Exeunt OTHELLO, DESDEMONA, and Attendants | |
| IAGO | Do thou meet me presently at the harbour. Come | |
| | hither. If thou be'st valiant,-- as, they say, base | |
| | men being in love have then a nobility in their | |
| | natures more than is native to them--list me. The | |
| | lieutenant tonight watches on the court of | 235 |
| | guard:--first, I must tell thee this--Desdemona is | |
| | directly in love with him. | |
| RODERIGO | With him! why, 'tis not possible. | |
| IAGO | Lay thy finger thus, and let thy soul be instructed. | |
| | Mark me with what violence she first loved the Moor, | 240 |
| | but for bragging and telling her fantastical lies: | |
| | and will she love him still for prating? let not | |
| | thy discreet heart think it. Her eye must be fed; | |
| | and what delight shall she have to look on the | |
| | devil? When the blood is made dull with the act of | 245 |
| | sport, there should be, again to inflame it and to | |
| | give satiety a fresh appetite, loveliness in favour, | |
| | sympathy in years, manners and beauties; all which | |
| | the Moor is defective in: now, for want of these | |
| | required conveniences, her delicate tenderness will | 250 |
| | find itself abused, begin to heave the gorge, | |
| | disrelish and abhor the Moor; very nature will | |
| | instruct her in it and compel her to some second | |
| | choice. Now, sir, this granted,--as it is a most | |
| | pregnant and unforced position--who stands so | 255 |
| | eminent in the degree of this fortune as Cassio | |
| | does? a knave very voluble; no further | |
| | conscionable than in putting on the mere form of | |
| | civil and humane seeming, for the better compassing | |
| | of his salt and most hidden loose affection? why, | 260 |
| | none; why, none: a slipper and subtle knave, a | |
| | finder of occasions, that has an eye can stamp and | |
| | counterfeit advantages, though true advantage never | |
| | present itself; a devilish knave. Besides, the | |
| | knave is handsome, young, and hath all those | 265 |
| | requisites in him that folly and green minds look | |
| | after: a pestilent complete knave; and the woman | |
| | hath found him already. | |
| RODERIGO | I cannot believe that in her; she's full of | |
| | most blessed condition. | 270 |
| IAGO | Blessed fig's-end! the wine she drinks is made of | |
| | grapes: if she had been blessed, she would never | |
| | have loved the Moor. Blessed pudding! Didst thou | |
| | not see her paddle with the palm of his hand? didst | |
| | not mark that? | 275 |
| RODERIGO | Yes, that I did; but that was but courtesy. | |
| IAGO | Lechery, by this hand; an index and obscure prologue | |
| | to the history of lust and foul thoughts. They met | |
| | so near with their lips that their breaths embraced | |
| | together. Villanous thoughts, Roderigo! when these | 280 |
| | mutualities so marshal the way, hard at hand comes | |
| | the master and main exercise, the incorporate | |
| | conclusion, Pish! But, sir, be you ruled by me: I | |
| | have brought you from Venice. Watch you to-night; | |
| | for the command, I'll lay't upon you. Cassio knows | 285 |
| | you not. I'll not be far from you: do you find | |
| | some occasion to anger Cassio, either by speaking | |
| | too loud, or tainting his discipline; or from what | |
| | other course you please, which the time shall more | |
| | favourably minister. | 290 |
| RODERIGO | Well. | |
| IAGO | Sir, he is rash and very sudden in choler, and haply | |
| | may strike at you: provoke him, that he may; for | |
| | even out of that will I cause these of Cyprus to | |
| | mutiny; whose qualification shall come into no true | 295 |
| | taste again but by the displanting of Cassio. So | |
| | shall you have a shorter journey to your desires by | |
| | the means I shall then have to prefer them; and the | |
| | impediment most profitably removed, without the | |
| | which there were no expectation of our prosperity. | 300 |
| RODERIGO | I will do this, if I can bring it to any | |
| | opportunity. | |
| IAGO | I warrant thee. Meet me by and by at the citadel: | |
| | I must fetch his necessaries ashore. Farewell. | |
| RODERIGO | Adieu. | 305 |
| | Exit | |
| IAGO | That Cassio loves her, I do well believe it; | |
| | That she loves him, 'tis apt and of great credit: | |
| | The Moor, howbeit that I endure him not, | |
| | Is of a constant, loving, noble nature, | |
| | And I dare think he'll prove to Desdemona | 310 |
| | A most dear husband. Now, I do love her too; | |
| | Not out of absolute lust, though peradventure | |
| | I stand accountant for as great a sin, | |
| | But partly led to diet my revenge, | |
| | For that I do suspect the lusty Moor | 315 |
| | Hath leap'd into my seat; the thought whereof | |
| | Doth, like a poisonous mineral, gnaw my inwards; | |
| | And nothing can or shall content my soul | |
| | Till I am even'd with him, wife for wife, | |
| | Or failing so, yet that I put the Moor | 320 |
| | At least into a jealousy so strong | |
| | That judgment cannot cure. Which thing to do, | |
| | If this poor trash of Venice, whom I trash | |
| | For his quick hunting, stand the putting on, | |
| | I'll have our Michael Cassio on the hip, | 325 |
| | Abuse him to the Moor in the rank garb-- | |
| | For I fear Cassio with my night-cap too-- | |
| | Make the Moor thank me, love me and reward me. | |
| | For making him egregiously an ass | |
| | And practising upon his peace and quiet | 330 |
| | Even to madness. 'Tis here, but yet confused: | |
| | Knavery's plain face is never seen tin used. | |
| | Exit | |