Sign up for the free Shakespeare Newsletter

   As You Like It
ACT V SCENE IV The forest. 
 Enter DUKE SENIOR, AMIENS, JAQUES, ORLANDO, OLIVER,and CELIA 
DUKE SENIOR Dost thou believe, Orlando, that the boy 
 Can do all this that he hath promised? 
ORLANDO I sometimes do believe, and sometimes do not; 
 As those that fear they hope, and know they fear. 5
 Enter ROSALIND, SILVIUS, and PHEBE 
ROSALIND Patience once more, whiles our compact is urged: 
 You say, if I bring in your Rosalind, 
 You will bestow her on Orlando here? 
DUKE SENIOR That would I, had I kingdoms to give with her. 
ROSALIND And you say, you will have her, when I bring her? 10
ORLANDO That would I, were I of all kingdoms king. 
ROSALIND You say, you'll marry me, if I be willing? 
PHEBE That will I, should I die the hour after. 
ROSALIND But if you do refuse to marry me, 
 You'll give yourself to this most faithful shepherd? 15
PHEBE So is the bargain. 
ROSALIND You say, that you'll have Phebe, if she will? 
SILVIUS Though to have her and death were both one thing. 
ROSALIND I have promised to make all this matter even. 
 Keep you your word, O duke, to give your daughter; 20
 You yours, Orlando, to receive his daughter: 
 Keep your word, Phebe, that you'll marry me, 
 Or else refusing me, to wed this shepherd: 
 Keep your word, Silvius, that you'll marry her. 
 If she refuse me: and from hence I go, 25
 To make these doubts all even. 
 Exeunt ROSALIND and CELIA 
DUKE SENIOR I do remember in this shepherd boy 
 Some lively touches of my daughter's favour. 
ORLANDO My lord, the first time that I ever saw him 
 Methought he was a brother to your daughter: 30
 But, my good lord, this boy is forest-born, 
 And hath been tutor'd in the rudiments 
 Of many desperate studies by his uncle, 
 Whom he reports to be a great magician, 
 Obscured in the circle of this forest. 35
 Enter TOUCHSTONE and AUDREY 
JAQUES There is, sure, another flood toward, and these 
 couples are coming to the ark. Here comes a pair of 
 very strange beasts, which in all tongues are called fools. 
TOUCHSTONE Salutation and greeting to you all! 
JAQUES Good my lord, bid him welcome: this is the 40
 motley-minded gentleman that I have so often met in 
 the forest: he hath been a courtier, he swears. 
TOUCHSTONE If any man doubt that, let him put me to my 
 purgation. I have trod a measure; I have flattered 
 a lady; I have been politic with my friend, smooth 45
 with mine enemy; I have undone three tailors; I have 
 had four quarrels, and like to have fought one. 
JAQUES And how was that ta'en up? 
TOUCHSTONE Faith, we met, and found the quarrel was upon the 
 seventh cause. 50
JAQUES How seventh cause? Good my lord, like this fellow. 
DUKE SENIOR I like him very well. 
TOUCHSTONE God 'ild you, sir; I desire you of the like. I 
 press in here, sir, amongst the rest of the country 
 copulatives, to swear and to forswear: according as 55
 marriage binds and blood breaks: a poor virgin, 
 sir, an ill-favoured thing, sir, but mine own; a poor 
 humour of mine, sir, to take that that no man else 
 will: rich honesty dwells like a miser, sir, in a 
 poor house; as your pearl in your foul oyster. 60
DUKE SENIOR By my faith, he is very swift and sententious. 
TOUCHSTONE According to the fool's bolt, sir, and such dulcet diseases. 
JAQUES But, for the seventh cause; how did you find the 
 quarrel on the seventh cause? 
TOUCHSTONE Upon a lie seven times removed:--bear your body more 65
 seeming, Audrey:--as thus, sir. I did dislike the 
 cut of a certain courtier's beard: he sent me word, 
 if I said his beard was not cut well, he was in the 
 mind it was: this is called the Retort Courteous. 
 If I sent him word again 'it was not well cut,' he 70
 would send me word, he cut it to please himself: 
 this is called the Quip Modest. If again 'it was 
 not well cut,' he disabled my judgment: this is 
 called the Reply Churlish. If again 'it was not 
 well cut,' he would answer, I spake not true: this 75
 is called the Reproof Valiant. If again 'it was not 
 well cut,' he would say I lied: this is called the 
 Counter-cheque Quarrelsome: and so to the Lie 
 Circumstantial and the Lie Direct. 
JAQUES And how oft did you say his beard was not well cut? 80
TOUCHSTONE I durst go no further than the Lie Circumstantial, 
 nor he durst not give me the Lie Direct; and so we 
 measured swords and parted. 
JAQUES Can you nominate in order now the degrees of the lie? 
TOUCHSTONE O sir, we quarrel in print, by the book; as you have 85
 books for good manners: I will name you the degrees. 
 The first, the Retort Courteous; the second, the 
 Quip Modest; the third, the Reply Churlish; the 
 fourth, the Reproof Valiant; the fifth, the 
 Countercheque Quarrelsome; the sixth, the Lie with 90
 Circumstance; the seventh, the Lie Direct. All 
 these you may avoid but the Lie Direct; and you may 
 avoid that too, with an If. I knew when seven 
 justices could not take up a quarrel, but when the 
 parties were met themselves, one of them thought but 95
 of an If, as, 'If you said so, then I said so;' and 
 they shook hands and swore brothers. Your If is the 
 only peacemaker; much virtue in If. 
JAQUES Is not this a rare fellow, my lord? he's as good at 
 any thing and yet a fool. 100
DUKE SENIOR He uses his folly like a stalking-horse and under 
 the presentation of that he shoots his wit. 
 Enter HYMEN, ROSALIND, and CELIA 
 Still Music 
HYMEN Then is there mirth in heaven, 
 When earthly things made even 
 Atone together. 105
 Good duke, receive thy daughter 
 Hymen from heaven brought her, 
 Yea, brought her hither, 
 That thou mightst join her hand with his 
 Whose heart within his bosom is. 110
ROSALIND To DUKE SENIOR 
 To ORLANDO 
 To you I give myself, for I am yours. 
DUKE SENIOR If there be truth in sight, you are my daughter. 
ORLANDO If there be truth in sight, you are my Rosalind. 
PHEBE If sight and shape be true, 
 Why then, my love adieu! 115
ROSALIND I'll have no father, if you be not he: 
 I'll have no husband, if you be not he: 
 Nor ne'er wed woman, if you be not she. 
HYMEN Peace, ho! I bar confusion: 
 'Tis I must make conclusion 120
 Of these most strange events: 
 Here's eight that must take hands 
 To join in Hymen's bands, 
 If truth holds true contents. 
 You and you no cross shall part: 125
 You and you are heart in heart 
 You to his love must accord, 
 Or have a woman to your lord: 
 You and you are sure together, 
 As the winter to foul weather. 130
 Whiles a wedlock-hymn we sing, 
 Feed yourselves with questioning; 
 That reason wonder may diminish, 
 How thus we met, and these things finish. 
  135
 SONG. 
 Wedding is great Juno's crown: 
 O blessed bond of board and bed! 
 'Tis Hymen peoples every town; 
 High wedlock then be honoured: 140
 Honour, high honour and renown, 
 To Hymen, god of every town! 
DUKE SENIOR O my dear niece, welcome thou art to me! 
 Even daughter, welcome, in no less degree. 
PHEBE I will not eat my word, now thou art mine; 145
 Thy faith my fancy to thee doth combine. 
 Enter JAQUES DE BOYS 
JAQUES DE BOYS Let me have audience for a word or two: 
 I am the second son of old Sir Rowland, 
 That bring these tidings to this fair assembly. 
 Duke Frederick, hearing how that every day 150
 Men of great worth resorted to this forest, 
 Address'd a mighty power; which were on foot, 
 In his own conduct, purposely to take 
 His brother here and put him to the sword: 
 And to the skirts of this wild wood he came; 155
 Where meeting with an old religious man, 
 After some question with him, was converted 
 Both from his enterprise and from the world, 
 His crown bequeathing to his banish'd brother, 
 And all their lands restored to them again 160
 That were with him exiled. This to be true, 
 I do engage my life. 
DUKE SENIOR Welcome, young man; 
 Thou offer'st fairly to thy brothers' wedding: 
 To one his lands withheld, and to the other 165
 A land itself at large, a potent dukedom. 
 First, in this forest, let us do those ends 
 That here were well begun and well begot: 
 And after, every of this happy number 
 That have endured shrewd days and nights with us 170
 Shall share the good of our returned fortune, 
 According to the measure of their states. 
 Meantime, forget this new-fall'n dignity 
 And fall into our rustic revelry. 
 Play, music! And you, brides and bridegrooms all, 175
 With measure heap'd in joy, to the measures fall. 
JAQUES Sir, by your patience. If I heard you rightly, 
 The duke hath put on a religious life 
 And thrown into neglect the pompous court? 
JAQUES DE BOYS He hath. 180
JAQUES To him will I : out of these convertites 
 There is much matter to be heard and learn'd. 
 To DUKE SENIOR 
 You to your former honour I bequeath; 
 Your patience and your virtue well deserves it: 
 To ORLANDO 
 You to a love that your true faith doth merit: 185
 To OLIVER 
 You to your land and love and great allies: 
 To SILVIUS 
 You to a long and well-deserved bed: 
 To TOUCHSTONE 
 And you to wrangling; for thy loving voyage 
 Is but for two months victuall'd. So, to your pleasures: 
 I am for other than for dancing measures. 190
DUKE SENIOR Stay, Jaques, stay. 
JAQUES To see no pastime I what you would have 
 I'll stay to know at your abandon'd cave. 
 Exit 
DUKE SENIOR Proceed, proceed: we will begin these rites, 
 As we do trust they'll end, in true delights. 195
 A dance 
 AS YOU LIKE IT 
 EPILOGUE 
ROSALIND It is not the fashion to see the lady the epilogue; 
 but it is no more unhandsome than to see the lord 
 the prologue. If it be true that good wine needs 200
 no bush, 'tis true that a good play needs no 
 epilogue; yet to good wine they do use good bushes, 
 and good plays prove the better by the help of good 
 epilogues. What a case am I in then, that am 
 neither a good epilogue nor cannot insinuate with 205
 you in the behalf of a good play! I am not 
 furnished like a beggar, therefore to beg will not 
 become me: my way is to conjure you; and I'll begin 
 with the women. I charge you, O women, for the love 
 you bear to men, to like as much of this play as 210
 please you: and I charge you, O men, for the love 
 you bear to women--as I perceive by your simpering, 
 none of you hates them--that between you and the 
 women the play may please. If I were a woman I 
 would kiss as many of you as had beards that pleased 215
 me, complexions that liked me and breaths that I 
 defied not: and, I am sure, as many as have good 
 beards or good faces or sweet breaths will, for my 
 kind offer, when I make curtsy, bid me farewell. 
 Exeunt 


 | home  |  what's new  |  about this site  |  contact  |  notice of copyright  | 
©1999-2003 Amanda Mabillard. All Rights Reserved.