| ACT II SCENE VII | The forest. | |
| | A table set out. Enter DUKE SENIOR, AMIENS, andLords like outlaws | |
| DUKE SENIOR | I think he be transform'd into a beast; | |
| | For I can no where find him like a man. | |
| First Lord | My lord, he is but even now gone hence: | |
| | Here was he merry, hearing of a song. | 5 |
| DUKE SENIOR | If he, compact of jars, grow musical, | |
| | We shall have shortly discord in the spheres. | |
| | Go, seek him: tell him I would speak with him. | |
| | Enter JAQUES | |
| First Lord | He saves my labour by his own approach. | |
| DUKE SENIOR | Why, how now, monsieur! what a life is this, | 10 |
| | That your poor friends must woo your company? | |
| | What, you look merrily! | |
| JAQUES | A fool, a fool! I met a fool i' the forest, | |
| | A motley fool; a miserable world! | |
| | As I do live by food, I met a fool | 15 |
| | Who laid him down and bask'd him in the sun, | |
| | And rail'd on Lady Fortune in good terms, | |
| | In good set terms and yet a motley fool. | |
| | 'Good morrow, fool,' quoth I. 'No, sir,' quoth he, | |
| | 'Call me not fool till heaven hath sent me fortune:' | 20 |
| | And then he drew a dial from his poke, | |
| | And, looking on it with lack-lustre eye, | |
| | Says very wisely, 'It is ten o'clock: | |
| | Thus we may see,' quoth he, 'how the world wags: | |
| | 'Tis but an hour ago since it was nine, | 25 |
| | And after one hour more 'twill be eleven; | |
| | And so, from hour to hour, we ripe and ripe, | |
| | And then, from hour to hour, we rot and rot; | |
| | And thereby hangs a tale.' When I did hear | |
| | The motley fool thus moral on the time, | 30 |
| | My lungs began to crow like chanticleer, | |
| | That fools should be so deep-contemplative, | |
| | And I did laugh sans intermission | |
| | An hour by his dial. O noble fool! | |
| | A worthy fool! Motley's the only wear. | 35 |
| DUKE SENIOR | What fool is this? | |
| JAQUES | O worthy fool! One that hath been a courtier, | |
| | And says, if ladies be but young and fair, | |
| | They have the gift to know it: and in his brain, | |
| | Which is as dry as the remainder biscuit | 40 |
| | After a voyage, he hath strange places cramm'd | |
| | With observation, the which he vents | |
| | In mangled forms. O that I were a fool! | |
| | I am ambitious for a motley coat. | |
| DUKE SENIOR | Thou shalt have one. | 45 |
| JAQUES | It is my only suit; | |
| | Provided that you weed your better judgments | |
| | Of all opinion that grows rank in them | |
| | That I am wise. I must have liberty | |
| | Withal, as large a charter as the wind, | 50 |
| | To blow on whom I please; for so fools have; | |
| | And they that are most galled with my folly, | |
| | They most must laugh. And why, sir, must they so? | |
| | The 'why' is plain as way to parish church: | |
| | He that a fool doth very wisely hit | 55 |
| | Doth very foolishly, although he smart, | |
| | Not to seem senseless of the bob: if not, | |
| | The wise man's folly is anatomized | |
| | Even by the squandering glances of the fool. | |
| | Invest me in my motley; give me leave | 60 |
| | To speak my mind, and I will through and through | |
| | Cleanse the foul body of the infected world, | |
| | If they will patiently receive my medicine. | |
| DUKE SENIOR | Fie on thee! I can tell what thou wouldst do. | |
| JAQUES | What, for a counter, would I do but good? | 65 |
| DUKE SENIOR | Most mischievous foul sin, in chiding sin: | |
| | For thou thyself hast been a libertine, | |
| | As sensual as the brutish sting itself; | |
| | And all the embossed sores and headed evils, | |
| | That thou with licence of free foot hast caught, | 70 |
| | Wouldst thou disgorge into the general world. | |
| JAQUES | Why, who cries out on pride, | |
| | That can therein tax any private party? | |
| | Doth it not flow as hugely as the sea, | |
| | Till that the weary very means do ebb? | 75 |
| | What woman in the city do I name, | |
| | When that I say the city-woman bears | |
| | The cost of princes on unworthy shoulders? | |
| | Who can come in and say that I mean her, | |
| | When such a one as she such is her neighbour? | 80 |
| | Or what is he of basest function | |
| | That says his bravery is not of my cost, | |
| | Thinking that I mean him, but therein suits | |
| | His folly to the mettle of my speech? | |
| | There then; how then? what then? Let me see wherein | 85 |
| | My tongue hath wrong'd him: if it do him right, | |
| | Then he hath wrong'd himself; if he be free, | |
| | Why then my taxing like a wild-goose flies, | |
| | Unclaim'd of any man. But who comes here? | |
| | Enter ORLANDO, with his sword drawn | |
| ORLANDO | Forbear, and eat no more. | 90 |
| JAQUES | Why, I have eat none yet. | |
| ORLANDO | Nor shalt not, till necessity be served. | |
| JAQUES | Of what kind should this cock come of? | |
| DUKE SENIOR | Art thou thus bolden'd, man, by thy distress, | |
| | Or else a rude despiser of good manners, | 95 |
| | That in civility thou seem'st so empty? | |
| ORLANDO | You touch'd my vein at first: the thorny point | |
| | Of bare distress hath ta'en from me the show | |
| | Of smooth civility: yet am I inland bred | |
| | And know some nurture. But forbear, I say: | 100 |
| | He dies that touches any of this fruit | |
| | Till I and my affairs are answered. | |
| JAQUES | An you will not be answered with reason, I must die. | |
| DUKE SENIOR | What would you have? Your gentleness shall force | |
| | More than your force move us to gentleness. | 105 |
| ORLANDO | I almost die for food; and let me have it. | |
| DUKE SENIOR | Sit down and feed, and welcome to our table. | |
| ORLANDO | Speak you so gently? Pardon me, I pray you: | |
| | I thought that all things had been savage here; | |
| | And therefore put I on the countenance | 110 |
| | Of stern commandment. But whate'er you are | |
| | That in this desert inaccessible, | |
| | Under the shade of melancholy boughs, | |
| | Lose and neglect the creeping hours of time | |
| | If ever you have look'd on better days, | 115 |
| | If ever been where bells have knoll'd to church, | |
| | If ever sat at any good man's feast, | |
| | If ever from your eyelids wiped a tear | |
| | And know what 'tis to pity and be pitied, | |
| | Let gentleness my strong enforcement be: | 120 |
| | In the which hope I blush, and hide my sword. | |
| DUKE SENIOR | True is it that we have seen better days, | |
| | And have with holy bell been knoll'd to church | |
| | And sat at good men's feasts and wiped our eyes | |
| | Of drops that sacred pity hath engender'd: | 125 |
| | And therefore sit you down in gentleness | |
| | And take upon command what help we have | |
| | That to your wanting may be minister'd. | |
| ORLANDO | Then but forbear your food a little while, | |
| | Whiles, like a doe, I go to find my fawn | 130 |
| | And give it food. There is an old poor man, | |
| | Who after me hath many a weary step | |
| | Limp'd in pure love: till he be first sufficed, | |
| | Oppress'd with two weak evils, age and hunger, | |
| | I will not touch a bit. | 135 |
| DUKE SENIOR | Go find him out, | |
| | And we will nothing waste till you return. | |
| ORLANDO | I thank ye; and be blest for your good comfort! | |
| | Exit | |
| DUKE SENIOR | Thou seest we are not all alone unhappy: | |
| | This wide and universal theatre | 140 |
| | Presents more woeful pageants than the scene | |
| | Wherein we play in. | |
| JAQUES | All the world's a stage, | |
| | And all the men and women merely players: | |
| | They have their exits and their entrances; | 145 |
| | And one man in his time plays many parts, | |
| | His acts being seven ages. At first the infant, | |
| | Mewling and puking in the nurse's arms. | |
| | And then the whining school-boy, with his satchel | |
| | And shining morning face, creeping like snail | 150 |
| | Unwillingly to school. And then the lover, | |
| | Sighing like furnace, with a woeful ballad | |
| | Made to his mistress' eyebrow. Then a soldier, | |
| | Full of strange oaths and bearded like the pard, | |
| | Jealous in honour, sudden and quick in quarrel, | 155 |
| | Seeking the bubble reputation | |
| | Even in the cannon's mouth. And then the justice, | |
| | In fair round belly with good capon lined, | |
| | With eyes severe and beard of formal cut, | |
| | Full of wise saws and modern instances; | 160 |
| | And so he plays his part. The sixth age shifts | |
| | Into the lean and slipper'd pantaloon, | |
| | With spectacles on nose and pouch on side, | |
| | His youthful hose, well saved, a world too wide | |
| | For his shrunk shank; and his big manly voice, | 165 |
| | Turning again toward childish treble, pipes | |
| | And whistles in his sound. Last scene of all, | |
| | That ends this strange eventful history, | |
| | Is second childishness and mere oblivion, | |
| | Sans teeth, sans eyes, sans taste, sans everything. | 170 |
| | Re-enter ORLANDO, with ADAM | |
| DUKE SENIOR | Welcome. Set down your venerable burthen, | |
| | And let him feed. | |
| ORLANDO | I thank you most for him. | |
| ADAM | So had you need: | |
| | I scarce can speak to thank you for myself. | 175 |
| DUKE SENIOR | Welcome; fall to: I will not trouble you | |
| | As yet, to question you about your fortunes. | |
| | Give us some music; and, good cousin, sing. | |
| | | |
| | SONG. | 180 |
| AMIENS | Blow, blow, thou winter wind. | |
| | Thou art not so unkind | |
| | As man's ingratitude; | |
| | Thy tooth is not so keen, | |
| | Because thou art not seen, | 185 |
| | Although thy breath be rude. | |
| | Heigh-ho! sing, heigh-ho! unto the green holly: | |
| | Most friendship is feigning, most loving mere folly: | |
| | Then, heigh-ho, the holly! | |
| | This life is most jolly. | 190 |
| | Freeze, freeze, thou bitter sky, | |
| | That dost not bite so nigh | |
| | As benefits forgot: | |
| | Though thou the waters warp, | |
| | Thy sting is not so sharp | 195 |
| | As friend remember'd not. | |
| | Heigh-ho! sing, &c. | |
| DUKE SENIOR | If that you were the good Sir Rowland's son, | |
| | As you have whisper'd faithfully you were, | |
| | And as mine eye doth his effigies witness | 200 |
| | Most truly limn'd and living in your face, | |
| | Be truly welcome hither: I am the duke | |
| | That loved your father: the residue of your fortune, | |
| | Go to my cave and tell me. Good old man, | |
| | Thou art right welcome as thy master is. | 205 |
| | Support him by the arm. Give me your hand, | |
| | And let me all your fortunes understand. | |
| | Exeunt | |